Season 7
The Year of the Story
September 2023
Anywhere But Here
BOOK TO SCREEN - Once Upon A Time
The Little Mermaid is a literary fairy tale written by the Danish author Hans Christian Andersen, first published in 1837 as part of a collection of fairy tales for children. The story follows the journey of a young mermaid who is willing to give up her life in the sea as a mermaid to gain a human soul.
The original story has been a subject of multiple analyses by scholars such as Jacob Bøggild and Pernille Heegaard, as well as the folklorist Maria Tatar. These analyses cover various aspects of the story, from interpreting the themes to discussing why Andersen chose to write a tragic story with a happy ending. It has been adapted to various media, including musical theatre, anime, ballet, opera, and film. There is also a statue portraying the mermaid in Copenhagen, Denmark, where the story was written and first published.
The Little Mermaid is a 1989 American animated musical fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 28th Disney animated feature film, it is loosely based on the 1837 Danish fairy tale of the same name by Hans Christian Andersen. The film was written and directed by John Musker and Ron Clements and produced by Musker and Howard Ashman, who also wrote the film's songs with Alan Menken. Menken also composed the film's score. Featuring the voices of Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, and Buddy Hackett, The Little Mermaid tells the story of a teenage mermaid princess named Ariel, who dreams of becoming human and falls in love with a human prince named Eric, which leads her to make a magic deal with the sea witch, Ursula, to become human and be with him.
Walt Disney planned to put the story in a proposed package film containing Andersen's stories but scrapped the project. In 1985, while working on The Great Mouse Detective (1986), Clements and Musker decided to adapt the fairy tale and proposed it to Walt Disney Studios chairman Jeffrey Katzenberg, who initially declined due to its similarities to a proposed sequel to the 1984 film Splash, but ultimately approved of it. Ashman became involved and brought in Menken. With supervision from Katzenberg, they made a Broadway-style structure with musical numbers as the staff was working on Oliver & Company (1988). Katzenberg warned that the film would earn less since it appealed to females, but he eventually became convinced that it would be Disney's first blockbuster hit.
The Little Mermaid was released to theaters on November 17, 1989, to critical acclaim, earning praise for the animation, music, and characters. It was also a commercial success, garnering $84 million at the domestic box office during its initial release, and $235 million in total lifetime gross worldwide. Along with the major success of both Disney's 1986 animated film The Great Mouse Detective and the 1988 Disney/Amblin live-action/animated film Who Framed Roger Rabbit, The Little Mermaid is given credit for breathing life back into the art of Disney animated feature films after some films produced by Disney were struggling. It also marked the start of the era known as the Disney Renaissance. The film won two Academy Awards for Best Original Score and Best Original Song ("Under the Sea").
The film's success led to a media franchise. A direct-to-video sequel was released in 2000, focusing on Ariel's daughter, Melody. A prequel followed in 2008. The first film was adapted into a stage musical with a book by Doug Wright and additional songs by Alan Menken and new lyricist Glenn Slater opened in Denver in July 2007 and began performances on Broadway January 10, 2008 starring Sierra Boggess.
Other derived works and material inspired by the film, include a 2023 live-action film adaptation directed by Rob Marshall, and a 2019 live musical presentation of the film aired on ABC as part of The Wonderful World of Disney.
In 2022, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Opening Credits; Introduction (1.19); Background History (14.13); The Little Mermaid Plot Synopsis (15.17); Book Thoughts (21.47); Introducing a Film (58.50); The Little Mermaid (1989) Film Trailer (1:02.28); Lights, Camera, Action (1:03.49); How Many Stars (1:50.42); End Credits (1:52.10); Closing Credits (1:53.48)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: In Harmony by Jodi Benson. Taken from the Little Mermaid Television Soundtrack. Copyright 1992 Disney Records. Kiss The Girl by Ashley Tidsdale. Taken from The Little Mermaid Soundtrack Copyright 2006 Disney Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
BATMAN: The Animated Series
I Am The Knight
Batman falls into the depths of depression after Commissioner Gordon is shot by the Jazzman during a botched raid. Batman was meant to be present but was delayed by thugs while paying his annual visit to the site of his parents' murder. With Gordon hospitalized and near death, the Dark Knight becomes consumed by self-doubt.
Only when the Jazzman escapes custody and attempts to murder Gordon does Batman snap out of his funk. His spirit is further renewed when he encounters a young man, he'd previously given up hope on, now on the road to reform and grateful for Batman's intervention.
Off Balance
While following Count Vertigo's trail, Batman encounters comes across a mysterious woman called Talia, who was sent by her father to prevent the capture of a sonic drill that the Count stole from Wayne Enterprises. On their quest to stop Vertigo, Talia learns Batman's identity and they are forced to work together in order to fight Vertigo's effects, but the more they collaborate, the more doubts Batman has about Talia's loyalties.
The Man Who Killed Batman
While a third-rate mob stumble-bum Sidney Debris was acting as look-out for drug runners, Batman surprised him on a warehouse roof. The two struggled, and Sid’s bumbling caused Batman to pitch off the roof and into a shed of explosive gas. After the ensuing fire, the only thing found was Batman’s cape and cowl. It seemed Sidney had done the impossible and become the man who killed Batman.
Mudslide
Clayface is falling apart – literally. His clay like body is virtually disintegrating. Fortunately, Stella Bates, a woman scientist he knew from his movie star days, tries to stabilise Matt’s decaying form by using a rare isotope stolen form Wayne Enterprises – the irony being that Bruce Wayne would gladly help if given the chance. But Clayface is too hateful to yield, and winds up falling into the sea, where he dissolves into nothingness.
Opening Credits; Introduction (.56); Episode One: I Am The Night (49.49); Episode Two: Off Balance (57.29 ); Episode Three: The Man Who Killed Batman (1:09.54); Episode Four: Mudslide (1:18.28); Favourite and Least Favourite Character (1:37.30); Favourite Episode (1:49.17); End Credits (1:51.40); Closing Credits (1:52.50)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Off Balance by Victor Ray. Taken from the album Off-Balance. Copyright 2023 ZOZO records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
Pufnstuf (also known as Pufnstuf Zaps the World) is a 1970 American comedy fantasy musical film produced by Sid and Marty Krofft Enterprises and released by Universal Pictures. It is based on the children's television series H.R. Pufnstuf, a show that features a cast of puppets on a "living island."
The NeverEnding Story is a 1984 fantasy film co-written and directed by Wolfgang Petersen (in his first English-language film), and based on the 1979 novel The Neverending Story by Michael Ende. It was produced by Bernd Eichinger and Dieter Giessler, and stars Noah Hathaway, Barret Oliver, Tami Stronach, Patricia Hayes, Sydney Bromley, Gerald McRaney and Moses Gunn, with Alan Oppenheimer providing the voices of Falkor and Gmork (as well as other characters). It follows a boy who finds a magical book that tells of a young warrior who is given the task of stopping the Nothing, a dark force, from engulfing the wonderland world of Fantasia.
At the time of its release, it was the most expensive film produced outside the United States or the Soviet Union. It was the first in The NeverEnding Story film series. It adapts only the first half of the book, and consequently does not convey the message of the title as it was portrayed in the novel. The second half of the book was subsequently used as a rough basis for the second film, The NeverEnding Story II: The Next Chapter (1990). The third film, The NeverEnding Story III: Escape from Fantasia (1994), has an original plot not based on the book.
Opening Credits; Introduction (1.22); Background History (13.09); PufnStuf (1970) Trailer (29.44); Our Opening Presentation (16.29); Let's Rate (55.07); Introducing Our Next Feature (1:00.40); NeverEnding Story (1984) Trailer (1:02.11); Lights, Camera, Action (1:03.30); How Many Stars (1:41.31); End Credits (1:49.16); Closing Credits (1:51.23)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: NeverEnding Story by Limahl. Taken from the album Don’t Suppose. Copyright 1984 EMI Records/Zap the World by Billie Hayes and Martha Raye. Taken from the album PufnStuf. Copyright 1970 Capitol Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
ANTHOLOGY
Fantasia is a 1940 American animated musical anthology film produced and released by Walt Disney Productions, with story direction by Joe Grant and Dick Huemer and production supervision by Walt Disney and Ben Sharpsteen. The third Disney animated feature film, it consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film's Master of Ceremonies who introduces each segment in live action.
Disney settled on the film's concept in 1938 as work neared completion on The Sorcerer's Apprentice, originally an elaborate Silly Symphony cartoon designed as a comeback role for Mickey Mouse, who had declined in popularity. As production costs surpassed what the short could earn, Disney decided to include it in a feature-length film of multiple segments set to classical pieces with Stokowski and Taylor as collaborators. The soundtrack was recorded using multiple audio channels and reproduced with Fantasound, a pioneering sound system developed by Disney and RCA that made Fantasia the first commercial film shown in stereo and a precursor to surround sound.
Fantasia was first released as a theatrical roadshow that was held in 13 cities across the U.S. between 1940 and 1941; the first began at the Broadway Theatre in New York City on November 13, 1940. While acclaimed by critics, it failed to make a profit owing to World War II's cutting off distribution to the European market, the film's high production costs, and the expense of building Fantasound equipment and leasing theatres for the roadshow presentations. Since 1942, the film has been reissued multiple times by RKO Radio Pictures and Buena Vista Distribution with its original footage and audio being deleted, modified, or restored in each version. When adjusted for inflation, Fantasia is the 23rd highest-grossing film of all time in the U.S.
The Fantasia franchise has grown to include video games, Disneyland attractions, and a live concert series. A sequel, Fantasia 2000, co-produced by Walt's nephew Roy E. Disney, was released in 1999. Fantasia has grown in reputation over the years and is now widely acclaimed as one of the greatest animated films of all time; in 1998, the American Film Institute ranked it as the 58th greatest American film in their 100 Years...100 Movies and the fifth greatest animated film in their 10 Top 10 list. In 1990, Fantasia was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Fantasia 2000 is a 1999 American animated musical anthology film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. Produced by Roy E. Disney and Donald W. Ernst, it is the 38th Disney animated feature film and sequel to 1940's Fantasia. Like its predecessor, Fantasia 2000 consists of animated segments set to pieces of classical music. Celebrities including Steve Martin, Itzhak Perlman, Quincy Jones, Bette Midler, James Earl Jones, Penn & Teller, James Levine, and Angela Lansbury introduce a segment in live action scenes directed by Don Hahn.
After numerous unsuccessful attempts to develop a Fantasia sequel, The Walt Disney Company revived the idea shortly after Michael Eisner became chief executive officer in 1984. Development paused until the commercial success of the 1991 home video release of Fantasia convinced Eisner that there was enough public interest and funds for a sequel, to which he assigned Disney as executive producer. The music for six of the film's eight segments is performed by the Chicago Symphony Orchestra conducted by James Levine. The film includes The Sorcerer's Apprentice from the 1940 original. Each new segment was produced by combining traditional animation with computer-generated imagery.
Fantasia 2000 premiered on December 17, 1999, at Carnegie Hall in New York City as part of a concert tour that also visited London, Paris, Tokyo, and Pasadena, California. The film was then released in 75 IMAX theatres worldwide from January 1 to April 30, 2000, marking the first animated feature-length film to be released in the format. Its general release in regular theatres followed on June 16, 2000. The film received mostly positive reviews from critics, who praised several of its sequences, while also deeming its overall quality uneven in comparison to its predecessor. Budgeted at about $80–$85 million, the film grossed $90.9 million worldwide.
Opening Credits; Introduction (1.00); Background History (15.06); Fantasia (1940) Film Trailer (18.19); Opening Presentation (21.15); Let's Rate (41.33); Introducing Our Second Feature (43.40); Fantasia 2000 (1999) Film Trailer (46.11); Lights, Camera, Action (48.12); How Many Stars (1:19.57); End Credits (1:24.29); Closing Credits (1:25.46)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: The Age of Not Believing by Angela Lansbury. From the album Bedknobs and Broomsticks Original Soundtrack. Copyright 1971 Disney Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
DOCTOR WHO: The Web Planet/The Crusades
Dr Who and the Daleks (1965)
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The Web Planet
13 February – 20 March 1965
The First Doctor (William Hartnell) and his travelling companions Ian Chesterton (William Russell), Barbara Wright (Jacqueline Hill), and Vicki (Maureen O'Brien) ally themselves with the Menoptra, the former inhabitants of the planet Vortis, as they struggle to win back the planet from the malignant Animus (Catherine Fleming) and its Zarbi slaves.
The Crusades
27 March – 17 April 1965
The First Doctor (William Hartnell) and his travelling companions Ian Chesterton (William Russell), Barbara Wright (Jacqueline Hill), and Vicki (Maureen O'Brien) arrive in 12th century Palestine during the Third Crusade and find themselves entangled in the conflict between King Richard the Lionheart (Julian Glover) and Saladin (Bernard Kay). They also meet King Richard's sister Lady Joanna (Jean Marsh) and Saladin's brother Saphadin (Roger Avon).
Dr Who and the Daleks (1965)
is a 1965 British science fiction film directed by Gordon Flemyng and written by Milton Subotsky, and the first of two films based on the British science-fiction television series Doctor Who. It stars Peter Cushing as Dr. Who, Roberta Tovey as Susan, Jennie Linden as Barbara, and Roy Castle as Ian. It was followed by Daleks' Invasion Earth 2150 A.D. (1966).
The story is based on the Doctor Who television serial The Daleks, produced by the BBC. Filmed in Technicolor, it is the first Doctor Who story to be made in colour and in a widescreen format. The film was not intended to form part of the ongoing story-lines of the television series. Elements from the programme are used, however, such as various characters, the Daleks and a police box time machine, albeit in re-imagined forms.
Opening Credits; Introduction (.43); The Web Planet Synopsis (1.27); Television Thoughts (4.25); Let's Rate (25.04); Introducing The Crusades (27.04); The Crusades Synopsis ( 34.41); Discussing the Episode (38.15); Rating the Episodes (47.42); Film: Doctor Who and The Daleks (1965) (53.08); Doctor Who and the Daleks (1965) Trailer (54.14); Lights, Camera, Action (57.24); How Many Stars (1:09.59); End Credits (1:14.56); Closing Credits (1:21.53)
Opening Credits– Doctor Who Theme. composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Copyright 1963 BBC World Music.
Closing Credits: We’re Not Gonna Take It by Twisted Sister. Taken from the album Stay Hungry. Copyright 1984 Atlantic Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
MAKE/REMAKE
Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the 1756 fairy tale of the same name by Jeanne-Marie Leprince de Beaumont (who was only credited in the French dub),[6] while also containing ideas from the 1946 French film of the same name directed by Jean Cocteau.[7] The film was directed by Gary Trousdale and Kirk Wise (in their feature directorial debuts) and produced by Don Hahn, from a screenplay by Linda Woolverton.
Beauty and the Beast focuses on the relationship between the Beast (voice of Robby Benson), a prince who is magically transformed into a monster and his servants into household objects as punishment for his arrogance, and Belle (voice of Paige O'Hara), a young woman whom he imprisons in his castle in exchange for her father's freedom. To break the curse, the Beast must learn to love Belle and earn her love in return before the last petal falls from an enchanted rose or else he will remain a monster forever. The film also features the voices of Richard White, Jerry Orbach, David Ogden Stiers, and Angela Lansbury.
Walt Disney first attempted to adapt Beauty and the Beast into an animated film during the 1930s and 1950s, but was unsuccessful. Following the success of The Little Mermaid (1989), Walt Disney Pictures decided to adapt the fairy tale, which Richard Purdum originally conceived as a non-musical period drama. After seeing a test reel, Disney chairman Jeffrey Katzenberg scrapped Purdum's idea and ordered that the film be a musical similar to The Little Mermaid instead. Lyricist Howard Ashman and composer Alan Menken wrote the film's songs. Ashman, who additionally served as the film's executive producer, died of AIDS-related complications six months before the film's release, and the film is thus dedicated to his memory.
Beauty and the Beast premiered as an unfinished film at the New York Film Festival on September 29, 1991, followed by its theatrical release as a completed film at the El Capitan Theatre on November 13. The film grossed $331 million at the box office worldwide on a $25 million budget and received widespread critical acclaim for its romantic narrative, animation (particularly the ballroom scene), characters, and musical numbers. Beauty and the Beast won the Golden Globe Award for Best Motion Picture – Musical or Comedy, the first animated film to ever win that category. It also became the first animated film to be nominated for the Academy Award for Best Picture at the 64th Academy Awards (ultimately losing to The Silence of the Lambs), where it won the Academy Award for Best Original Score and Best Original Song for its title song and received additional nominations for Best Original Song and Best Sound. In April 1994, Beauty and the Beast became Disney's first animated film to be adapted into a Broadway musical, which ran until 2007.
An IMAX version of the film was released in 2002 and included the new song "Human Again", originally an eight-minute storyboarded musical sequence ultimately replaced with "Something There", but later revised in the 1994 musical as a five-minute piece. That same year, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant". After the success of the 3D re-release of The Lion King, the film was reissued in 3D in 2012. A live-action adaptation of the film directed by Bill Condon was released on March 17, 2017. In 2014, Time magazine ranked Beauty and the Beast as the greatest film of the Disney Renaissance and one of the greatest animated films of all time.
Beauty and the Beast is a 2017 American musical romantic fantasy film directed by Bill Condon from a screenplay by Stephen Chbosky and Evan Spiliotopoulos. Produced by Walt Disney Pictures and Mandeville Films, the film is a live-action adaptation of Disney's 1991 animated film of the same name, itself an adaptation of Jeanne-Marie Leprince de Beaumont's 1756 version of the fairy tale. Starring Emma Watson and Dan Stevens as the eponymous Belle and the Beast, the film features an ensemble and choir cast including Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ian McKellen, and Emma Thompson.
A live-action Beauty and the Beast remake was first announced in April 2014, with Condon hired to direct it; Watson, Stevens, Evans and the rest of the cast signed on between January and April 2015. Filming took place primarily at Shepperton Studios in England from May to August 2015. With an estimated budget of around $255 million, it is one of the most expensive films ever made.
Beauty and the Beast premiered at Spencer House in London on February 23, 2017, and was theatrically released in the United States in standard, Disney Digital 3-D, RealD 3D, IMAX, and IMAX 3D formats, along with Dolby Cinema on March 17, 2017. The film received generally positive reviews from critics, who praised its cast, songs, and visual detail. It grossed over $1.2 billion worldwide, becoming the second highest-grossing film of 2017 and the tenth-highest-grossing film of all time. The film received several accolades, including two nominations at the 90th Academy Awards, four nominations at the 23rd Critics' Choice Awards, and two nominations at the 71st British Academy Film Awards. A spin-off television series, Little Town, was in development for Disney+, but has been put on hold.
Opening Credits; Introduction (2.27); Background History (15.24); Beauty and the Beast (1991) Trailer (19.47); Original Thoughts (21.27); Let's Rate (49.53); Introducing a Remake (53.54); Beauty and the Beast (2017) Trailer (56.29); Lights, Camera, Action (58.48); How Many Stars (1:48.23); End Credits (1:55.29); Closing Credits (1:56.54)
Opening Credits– Beauty and the Beast Prologue by Alan Menken. Copyright 1991 Disney Records. All rights reserved
Closing Credits: Beauty and the Beast by Marilyn Martin. Taken from the self titled album Marilyn Martin. Copyright 1986 Atlantic Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
October 2023
Is This Even Normal?
BOOK TO SCREEN: Once Upon A Time
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Coraline is a dark fantasy horror children's novel by British author Neil Gaiman. Gaiman started writing Coraline in 1990, and it was published in 2002 by Bloomsbury and HarperCollins. It was awarded the 2003 Hugo Award for Best Novella, the 2003 Nebula Award for Best Novel, and the 2002 Bram Stoker Award for Best Work for Young Readers. The Guardian ranked Coraline #82 in its list of 100 Best Books of the 21st Century. It was adapted as a 2009 stop-motion animated film, directed by Henry Selick under the same name.
Coraline is a 2009 American stop-motion animated dark fantasy horror film written and directed by Henry Selick and based on Neil Gaiman's novella of the same name. Produced by Laika as the studio's first feature film, it features the voice talents of Dakota Fanning, Teri Hatcher, Jennifer Saunders, Dawn French, Keith David, John Hodgman, Robert Bailey Jr., and Ian McShane. The film tells the story of its titular character discovering an idealized parallel universe behind a secret door in her new home, unaware that it contains a dark and sinister secret.
Just as Gaiman was finishing his novella in 2002, he met Selick and invited him to make a film adaptation, as Gaiman was a fan of Selick's The Nightmare Before Christmas and James and the Giant Peach. When Selick thought that a direct adaptation would lead to "maybe a 47-minute movie", the screenplay had some expansions, like the introduction of Wybie, who was not present in the original novel. Selick invited Japanese illustrator Tadahiro Uesugi to become the concept artist upon discovering his work when looking for a design away from that of most animation. His biggest influences were on the colour palette, which was muted in reality and more colourful in the Other World, similar to The Wizard of Oz. To capture stereoscopy for the 3D release, the animators shot each frame from two slightly apart camera positions. Production of the stop-motion animation feature took place at a warehouse in Hillsboro, Oregon. Bruno Coulais composed the film's musical score.
The film was theatrically released in the United States on February 6, 2009 by Focus Features after a world premiere at the Portland International Film Festival on February 5, and received critical acclaim. The film grossed $16.85 million during its opening weekend, ranking third at the box office, and by the end of its run had grossed over $124 million worldwide, making it the third highest-grossing stop-motion film of all time after Chicken Run and Wallace & Gromit: The Curse of the Were-Rabbit. The film won Annie Awards for Best Music in an Animated Feature Production, Best Character Design in an Animated Feature Production and Best Production Design in an Animated Feature Production and received nominations for an Academy Award for Best Animated Feature and a Golden Globe Award for Best Animated Feature Film. It has since developed a cult following in the years since its release.
Opening Credits; Introduction (1.20); Background History (9.33); Coraline Plot Synopsis (10.37); Book Thoughts (12.26); Let's Rate (31.40); Introducing a Film (33.14); Coraline Film Trailer (36.35); Lights, Camera, Action (38.55); How Many Stars (1:00.24); End Credits (1:02.03); Closing Credits (1:03.30)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Dollhouse by Melanie Martinez. Taken from the album Cry Baby. Copyright 2015 Atlantic Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
BATMAN: The Animated Series
Paging The Crime Doctor
Dr Matthew Thorne, a formerly respectable surgeon who lost his license after sheltering his brother Rupert Thorne from the police and once a friend of Dr Thomas Wayne and Leslie Thompkins, is reduced to acting as a mob doctor. When Rupert is critically injured, his brother coerces Leslie to assist with the surgery. But the recovering mob boss wants no witnesses, and Mathew is forced to decide where his real loyalties lie.
Zatanna
Zatanna was the daughter of Zatara, an excellent magician who taught Bruce Wayne, under the name of “John Smith”, everything he knows about escape artistry and “magic”. Zatara was a world renowned magician and was considered quite possibly the best in his field. He also passed on his teachings to his only child, a daughter named Zatanna. Zatanna gained her talent from her father and became an excellent magician herself.
She also had a romantic relationship with Bruce, despite never knowing his real name. Zatanna always had close ties with Bruce Wayne, although Bruce was cautious of this relationship by never giving her his real name.
Years later in a show in Gotham City, she made the contents of the Gotham Mint disappear to show up magic debunker Montaque Kane. Unfortunately for her, Kane had not only seen through her trick, but was a thief, and stole the money while framing her for the crime. She was freed from custody and assisted Batman in bringing Kane to justice.
After their collaboration with Batman, she eventually recognised him as her old friend from long ago. she then told Batman that Zatara, who had passed away by this stage would have been proud of him, putting his arts to use in fighting crime.
The Mechanic
Thanks to a freak accident during a high-speed chase, the Batmobile is virtually demolished. After Batman takes the car to his personal mechanic, Earl Cooper, the Penguin makes his move and tampers with the Batmobile, putting it under his control.
Harley and Ivy
After a failed heist, a frustrated Joker boots Harley Quinn from his gang and to prove her worth to the Clown Prince of Crime, Harley goes solo on her own crimes. This path eventually leads her to form a partnership with fellow criminal Poison Ivy. The success of Harley and Ivy as the new “Queens of Crime” doesn’t go unnoticed by The Joker, or Batman, both of whom set out to stop the amazing duo for their own personal reasons, Little do they know, no man can stop Harley and Ivy.
Opening Credits; Introduction (.56); Episode One: Paging the Crime Doctor (36.20); Episode Two: Zatana (45.50); Episode Three: The Mechanic (1:04.50); Episode Four: Harley and Ivy (1:13.52); Favourite Episode: (1:52.53); End Credits (1:55.30); Closing Credits (1:56.46)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Sisters Are Doin’ It For Themselves by Aretha Franklin and The Eurythmics. Taken from the album Be Yourself Tonight by The Eurythmics. Copyright 1985 RCA Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
Kuntilanak is a 2018 Indonesian horror film directed by Rizal Mantovani and written by Alim Sudio. The plot revolves around five children who find a mirror in their orphanage. The mirror contains a ghost that kidnaps children and imprisons them inside it.
The Hole is a 2009 American 3D dark fantasy horror film directed by Joe Dante and starring Chris Massoglia, Haley Bennett, Nathan Gamble, Bruce Dern, and Teri Polo. The film follows Dane and Lucas Thompson, two brothers who move into their new house in Bensenville with their single mother, Susan. While settling in their new home, Dane and Lucas, along with their new neighbor, Julie Campbell, discover a trap door in the basement, leading to a bottomless pit and, upon opening it, accidentally unleash a supernatural force that manifests itself into any fear of the person who looks into the hole.
Opening Credits; Introduction (1.22); Background History (35.05); Kuntilanak (2018) Film Trailer (35.55); Now We Present (37.06); Let's Rate (1:02.15); Introducing a Film (1:14.57); The Hole (2009) Film Trailer (1: 16.00); Lights, Camera, Action (1:17.36); How Many Stars (1:43.22); End Credits (1:50.51); Closing Credits (1:52.42)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Don’t Let The Lights Go Out by Panic At The Disco. Taken from the album Viva La Vengeance. Copyright 2022 Fuelled by Ramen and DCD2 Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
ANTHOLOGY
Trick 'r Treat is a 2007 American anthology horror comedy film written and directed by Michael Dougherty and produced by Bryan Singer. The film stars Dylan Baker, Rochelle Aytes, Anna Paquin and Brian Cox. It relates four Halloween horror stories with a common element in them: Sam, a trick-or-treating demon wearing orange footie pajamas with a burlap sack over his head. The character makes an appearance in each of the stories whenever one of the other characters breaks a Halloween tradition.
Despite being delayed for two years and having only a limited number of screenings at film festivals, the film received much critical acclaim and has since garnered a strong cult following.
Tales of Halloween is a 2015 American comedy horror anthology film consisting of ten interlocking segments, each revolving around the titular holiday. Segments were directed by Neil Marshall, Darren Lynn Bousman, Axelle Carolyn, Lucky McKee, Andrew Kasch, Paul Solet, John Skipp, Adam Gierasch, Jace Anderson, Mike Mendez, Ryan Schifrin, Dave Parker and, in his film debut, Jack Dylan Grazer.
The film premiered on July 24, 2015, at the Fantasia International Film Festival, before receiving a limited theatrical release and through video on demand on October 16, 2015, by Epic Pictures.
Opening Credits; Introduction (1.00); Background History (43.50); Trick ‘R Treat (2009) Film Trailer (45.33); Featuring the Presentation (48.07); Let's Rate (1:19.42); Introducing a Film (1:26.34); Tales of Halloween (2015) Film Trailer (1:26.57); Lights, Camera, Action (1:29.02); How Many Stars (2:08.17); End Credits (2:18.01); Closing Credits (2:20.35)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Everyday Is Halloween by LVCRFT, From the album V. Copyright 2023 Spooky Never Sleeps
Buy This Track HERE: Everyday Is Halloween | LVCRFT (bandcamp.com)
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
DOCTOR WHO: The Space Museum/The Chase
The Space Museum
24 April – 15 May 1965
The First Doctor (William Hartnell) and his travelling companions Ian Chesterton (William Russell), Barbara Wright (Jacqueline Hill), and Vicki (Maureen O'Brien) arrive in a Space Museum on the planet Xeros, where they seek to change their fate after seeing themselves turned into museum exhibits in the future. They also become entangled in a conflict between the militaristic Moroks who run the museum, and the servile indigenous Xerons who work for them.
The Chase
22 May – 26 June 1965
The First Doctor (William Hartnell) and his companions Ian Chesterton (William Russell), Barbara Wright (Jacqueline Hill), and Vicki (Maureen O'Brien)—to kill them and seize the TARDIS for themselves. The Doctor and companions encounter several characters, including monsters Dracula (Malcolm Rogers) and Frankenstein's monster (John Maxim), human astronaut Steven Taylor (Peter Purves), and an android replica of the Doctor (Edmund Warwick).
Opening Credits; Introduction (.44); Introducing The Space Museum (4.35); The Space Museum Plot Synopsis (5.09); Discussing the Episode (7.43); Favourite Moments (12.26); Let's Rate (14.20); Introducing The Chase (16.25); The Chase Plot Synopsis (17.01); Lights, Camera, Action (20.11); How Many Stars (29.19); End Credits (30.37); Closing Credits (32.41)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Say Goodbye by S Club 7. From the album Best: The Greatest Hits of S Club 7. Copyright 2003 Polydor – 19
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
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November 2023
We Shall Survive
BOOK TO SCREEN: Once Upon A Time
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Mrs. Frisby and the Rats of NIMH is a 1971 children's science fiction/fantasy book by Robert C. O'Brien, with illustrations by Zena Bernstein. The novel was published by the New York City publishing house Atheneum Books.
This book was the winner of numerous awards including the 1972 Newbery Medal. Ten years following its publication, the story was adapted for film as The Secret of NIMH (1982).
The novel centres around a colony of escaped lab rats–the rats of NIMH–who live in a technologically sophisticated and literate society mimicking that of humans. They come to the aid of Mrs. Frisby, a widowed field mouse who seeks to protect her children and home from destruction by a farmer’s plow.
The rats of NIMH were inspired by the research of John B. Calhoun on mouse and rat population dynamics at the National Institute of Mental Health from the 1940s to the 1960s.
After O’Brien’s death in 1973, his daughter Jane Leslie Conly wrote two sequels to Mrs. Frisby and the Rats of NIMH.
The Secret of NIMH is a 1982 American animated fantasy adventure film directed by Don Bluth in his directorial debut and based on Robert C. O'Brien's 1971 children's novel, Mrs. Frisby and the Rats of NIMH. The film features the voices of Elizabeth Hartman, Peter Strauss, Arthur Malet, Dom DeLuise, John Carradine, Derek Jacobi, Hermione Baddeley, and Paul Shenar. It was produced by Bluth's production company Don Bluth Productions in association with Aurora Productions.
The Secret of NIMH was released in the United States on July 2, 1982, by MGM/UA Entertainment Co. under the United Artists label. It was praised by critics for its elegant and painstakingly detailed animation, compelling characters, and deep and mature plot, and won a Saturn Award for Best Animated Film of 1982. Though only a moderate success at the box office, it turned a solid profit through home video and overseas releases. It was followed in 1998 by a direct-to-video sequel, The Secret of NIMH 2: Timmy to the Rescue, which was made without Bluth's involvement or input and met with poor reception. In 2015, a live-action/computer-animated remake was reported to be in the works. A television series adaptation is also in development by the Fox Corporation.
Opening Credits; Introduction (1.21); Background History (4.50); Mrs Frisby and the Rats of NIMH Plot Synopsis (6.15); Book Thoughts (11.37); Let's Rate (42.18); Introducing a Film (44.01); Secret of NIMH (1982) Film Trailer (46.00); Lights, Camera, Action (48.33); How Many Stars (1:33.30); End Credits (1.35.41); Closing Credits (1:37.18)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Flying Dreams (from The Secret of NIMH) by Kenny Loggins featuring Olivia Newton-John. Taken from the album More Songs from Pooh’s Corner. Copyright 2000 Sony Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
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BATMAN: The Animated Series
Shadow of the Bat Part 1
When Commissioner Gordon is framed for taking bribes from Rupert Thorne, his daughter Barbara pleads with Batman to show up at a rally being put on in the commissioner’s behalf. But when Batman disappears after finding the person behind the frame-up. Barbara takes matters into her own hands as Batgirl.
Shadow of the Bat Part 2
Batman has been captured by Two-Face and his gang, leaving Robin to do the investigating behind Commissioner Gordan’s framing. However, Robin will find an unusual partner in Batgirl, who is also on the path to clear her father’s name and the information she has uncovered about acting commissioner Gil Mason will help them on their quest.
Blind As A Bat
In the course of stealing a high-tech military aircraft called the Raven, the Penguin injures Bruce Wayne, causing temporary blindness. But Batman refuses to sit back while Penguin holds the city hostage, and dons and experimental headset that will allow him to “see” while the battery holds out.
In an intense sky battle that ends with a crash landing, Batman manages to foil the Penquin’s scheme – but his faltering gear leaves him blind once more, attempting to hear his way through a violent confrontation with a muscle-bound good and ultimately the fowl fiend himself.
His Silcone Soul
When a Batman impersonator appears in Gotham City, the real Batman deduces that Karl Rossum is somehow involved and confronts the inventor. The other Batman, a duplicate, then shows up and a battle between the two takes place. After the duplicate Batman escapes, it begins its campaign to recreate H.A.R.D.A.C’s goals of a robotic society.
Opening Credits; Introduction (.56); Shadow of the Bat Part 1 & 2 (41.51); Blind As A Bat (55.54); His Silicon Soul (1:14.49); Favourite Episode (1:31.05); End Credits (1:33.14); Closing Credits (1:35.11)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: She’s A Lady by Tom Jones. Taken from the album Tom Jones Sings She’s A Lady. Copyright 1971 Decca Records/Parrot Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
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TWO FOR 1: Dark Families
The Breadwinner is a 2017 animated drama film from Irish animation studio Cartoon Saloon directed by Nora Twomey. Based on the best-selling novel by Deborah Ellis, the film was an international co-production between Canada, the Republic of Ireland and Luxembourg, and received a limited release on 17 November 2017.
The film had its world premiere at the 2017 Toronto International Film Festival in September. The Breadwinner received a nomination for Best Animated Feature at the 90th Academy Awards but lost to Coco.
The House with a Clock in Its Walls is a 2018 American fantasy comedy film directed by Eli Roth, based on the 1973 novel of the same name by John Bellairs. It stars Jack Black, Cate Blanchett, Owen Vaccaro, Renée Elise Goldsberry, Sunny Suljic, and Kyle MacLachlan. The film follows a young boy, Lewis, who is sent to live with his uncle, Jonathan, in a creaky, old house. He soon learns it was previously inhabited by a villainous warlock. Universal Pictures released the film in the United States on September 21, 2018. It was a box office success, grossing over $131 million worldwide and received mostly positive reviews from critics who largely praised the cast, but said the film did not fully live up to its potential.
Opening Credits; Introduction (1.22; Background History (37.50); The Breadwinner (2017) Trailer (38.37); Discussing Our Opening Feature (40.16); Let's Rate (1:44.34); Introducing Our Second Presentation (1:45.53); The House With The Clock In Its Walls (2018) Trailer (1:47.00); Lights, Camera, Action (1:49.06); How Many Stars (2:26.56); End Credits (2:36.02); Closing Credits (2:37.57)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: I Still Believe Me by Deborah Allen and Erica Gimble. From the album Kids From Fame. Copyright 1982 RCA Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
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ANTHOLOGY
The Uncanny is a 1977 British-Canadian anthology horror film directed by Denis Héroux, written by Michel Parry, and starring Peter Cushing, Donald Pleasence, Ray Milland, Joan Greenwood, Donald Pilon, Samantha Eggar, and John Vernon.
Although it is similar to the horror anthologies released by Amicus Productions and could be mistaken as one, it was actually distributed by The Rank Organisation. However, the co-producer was Milton Subotsky of Amicus.
Cat's Eye (also known as Stephen King's Cat's Eye) is a 1985 American anthology horror thriller film directed by Lewis Teague and written by Stephen King. It comprises three stories, "Quitters, Inc.", "The Ledge", and "General". The first two are adaptations of short stories in King's 1978 Night Shift collection, and the third is unique to the film. The three stories are connected only by the presence of a traveling cat, which plays an incidental role in the first two and is a major character of the third.
Its cast includes Drew Barrymore, James Woods, Alan King, Robert Hays and Candy Clark.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
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DOCTOR WHO: The Time Meddler/Galaxy 4
The Time Meddler
3 – 24 July 1965
Set in Northumbria in 1066, before the Battle of Stamford Bridge, the serial features the time traveller the First Doctor (William Hartnell) and his companions Vicki (Maureen O'Brien) and Steven Taylor (Peter Purves) as they attempt to outwit the time traveller the Monk (Peter Butterworth), who is plotting to change the course of European history by wiping out King Harald Hardrada's Viking invasion fleet, leaving Harold Godwinson and the Saxon soldiers fresh to defeat William of Normandy and the Norman soldiers at the Battle of Hastings.
Galaxy 4
11 September – 2 October 1965
The First Doctor (William Hartnell) and his travelling companions Vicki (Maureen O'Brien) and Steven (Peter Purves) arrive on an arid planet, where they encounter the beautiful but dangerous Drahvins and the hideous but friendly Rills, two crash-landed species in conflict with one another. Both species wish to escape as the planet is set to explode in two dawns, but the Drahvin leader Maaga (Stephanie Bidmead) only wants her people to make it out alive.
Opening Credits; Introduction (.44); Background History (7.15); The Time Meddler Synopsis (8.15); Discussing the Story (12.16); Let's Rate (24.36); Introducing Our Next Story 25.11); Galaxy 4 Synopsis (25.52); Lights, Camera, Action (28.46); How Many Stars (39.07); End Credits (39.51); Closing Credits (41.05)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Female of the Species by SPACE Taken from the album Spiders. Copyright 1996 GUT Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
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December 2023
We Interrupt Our Programme
BOOK TO SCREEN: Once Upon A Time
Auntie Mame: An Irreverent Escapade is a 1955 novel by American author Patrick Dennis chronicling the madcap adventures of a boy, Patrick, growing up as the ward of his Aunt Mame Dennis, the sister of his dead father.
The book is often described as having been inspired by Dennis' real-life eccentric aunt, Marion Tanner, whose life and outlook mirrored those of Mame, but Dennis denied the connection. The novel was a runaway bestseller, setting records on the New York Times bestseller list, with more than 2 million copies in print during its initial publication. It became the basis of a stage play, a film, a stage musical, and a film musical.
In 1958, Dennis wrote a sequel titled Around the World with Auntie Mame.
Auntie Mame is a 1958 American Technirama Technicolor comedy film based on the 1955 novel of the same name by Edward Everett Tanner III (under the pseudonym Patrick Dennis) and its 1956 theatrical adaptation by Jerome Lawrence and Robert Edwin Lee. This film version stars Rosalind Russell and was directed by Morton DaCosta. It is not to be confused with a musical version of the same story that appeared on Broadway in 1966 and was later made into a 1974 film, Mame, starring Lucille Ball as the title character.
Opening Credits; Introduction (2.21); Background History (15.30); Auntie Mame by Patrick Dennis Plot Synopsis (17.01); Book Thoughts (21.56); Let's Rate (39.06); Introducing a Film (41.18); Auntie Mame (1958) Film Trailer (42.25); Lights, Camera, Action (45.31); How Many Stars (1:13.28); End Credits (1.18.01); Closing Credits (1:20.07)
Opening Credits– Jingle Bells by Ella Fitzgerald. Taken from the album Ella’s Swinging Christmas. Copyright 1960 Verve Records. All rights reserved.
Incidental Music: Auntie Mame Original Motion Picture Soundtrack. Music by Ray Heindorf and His Orchestra. Copyright 1958 Master Classics Records.
Closing Credits: We Need A Little Christmas by Angela Lansbury, Frankie Michals, Sab Saminino- Original Broadway Cast. From the album Mame Original Broadway Recording. Copyright 1966 Columbia Master Works Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
BATMAN: The Animated Series
The Demon’s Quest Part 1
When Robin is mysteriously abducted from his college campus, Batman begins a fruitless search…until he is astounded by the sudden appearance in the Batcave of Ra’s Al Ghul. Ra’s quickly reveals that his daughter, Talia, has been abducted under circumstances similar to Robin’s, suggesting that the same persons are responsible. So begins an uneasy truce between the Batman and ‘The Demon’.
The Demon’s Quest Part 2
After learning the secret of Ra’s al Ghul’s immortality, Batman and Robin escape from a death trap and follow the only clue they have to stop Ra’s plans – the world ‘Orpheus’. After discovering the ‘Orpheus’ is Ra’s private satellite that will orbit over the Sahara, the duo travel to Demon’s desert stronghold. There, Batman learns that the satellite is actually a weapon which will explosively destroy all the Lazarus Pits simultaneously, throughout the world, changing the eco-system and returning Earth to is original natural state.
Fire From Olympus
Believing himself to be the reincarnation of the Greek God Zeus, mad shipping magnate Maxie Zeus hijacks an experimental electron cannon. Mounting the weapon atop his penthouse, Maxie plans to rain ‘lightning bolts’ down on the wicked mortals of Gotham City.
Read My Lips
Gotham Police are baffled by a series of crimes executed with clockwork-like precision. Batman investigates and discovers that the crimes are planned by a mob boss known as Scarface. He traces Scarface to his lair – a deserted mannequin warehouse – and discovers, to his astonishment, that the crime czar is a wooden dummy, manipulated by a mild-mannered man called the Ventriloquist mortals of Gotham City.
Opening Credits; Introduction (2.49); Episode One: Demon’s Quest Part 1 & 2 (24.06); Episode Two: Fire From Olympus (50.47); Episode Three: Read My Lips (1:01.32); Favourite Episode (1:18.07); I End Credits (1:30.32); Closing Credits (1:32.16)
Opening Credits– Donde Esta Santa Clause by Augie Roos. Taken from the album Maybe This Christmas Too. Copyright 1958 Ragtime Music
Closing Credits: Do You Hear What I Hear/You Really Got Me by Bobby Lloyd and the Skeltons. Taken from the album A Christmas Party at Eddie G. Copyright 1996. Strikin’ It Rich Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ronny Howard, and Paul Ford.
Released by Warner Bros. on June 19, 1962, the film was one of the biggest hits of the year and was widely acclaimed by critics. It was nominated for six Academy Awards, including Best Picture, with composer Ray Heindorf winning Best Music, Scoring of Music, Adaptation or Treatment. The film also won the Golden Globe Award for Best Motion Picture – Musical or Comedy, and Preston and Jones were both nominated in their respective acting categories. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Island of Love is a 1963 American comedy film directed by Morton DaCosta and written by David R. Schwartz. The film stars Robert Preston, Tony Randall, Giorgia Moll, Walter Matthau, Betty Bruce and Vassili Lambrinos. The film was released by Warner Bros. on June 12, 1963.
Opening Credits; Introduction (1.22); Background History (37.48); The Music Man (1962) Film Trailer (38.58); Our Feature Presentation (39.47); Let's Rate (1:07.13); Introducing Our Next Feature (1:11.47); Island of Love (1963) Background Footage (1:12.40; Lights, Camera, Action (1:14.05); How Many Stars (2:23.54); End Credits (2:33.51); Closing Credits (2:35.10)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Once Upon A Christmas Song by Peter Kay introducing Geraldine McQueen. Copyright 2008 Peter Kay and Gary Barlow
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
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ANTHOLOGY
A Christmas Horror Story is a 2015 Canadian anthology horror film directed by Grant Harvey, Steven Hoban, and Brett Sullivan. It premiered on July 20, 2015, at the Fantasia International Film Festival and had a limited theatrical release on October 2, 2015, along with a VOD release. The film is a series of interwoven stories tied together by a framework story featuring William Shatner as a radio DJ.
Tales from the Crypt is a 1972 British horror film directed by Freddie Francis. It is an anthology film consisting of five separate segments, based on stories from EC Comics. It was produced by Amicus Productions and filmed at Shepperton Studios.
In the film, five strangers (Joan Collins, Ian Hendry, Robin Phillips, Richard Greene and Nigel Patrick) in a crypt encounter the mysterious Crypt Keeper (Ralph Richardson), who makes each person in turn foresee the possible manner of their death. It is one of several Amicus horror anthologies produced during the 1970s.
Opening Credits; Introduction (2.41); Background History (54.21); A Christmas Horror Story (2015) Trailer (55.24); Take One (57.13); Let's Rate (1:38.51); Introducing a Film (1:43.14); Tales From the Crypt (1972) Film Trailer (1:45.07); Lights, Camera, Action (1:47.00); How Many Stars (3:04.06); End Credits (3:08.34); Closing Credits (3:09.45)
Opening Credits– Alex Kashadian – Copyright 2015. All rights reserved
Closing Credits: Elf’s Lament by Barenaked Ladies (featuring Michael Buble). Taken from the album Barenaked For The Holidays. Copyright 2004 Desperation Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
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DOCTOR WHO: Mission To The Unknown/
The Myth Makers
Mission To The Unknown
9 October 1965
The only standalone regular episode of the show's original run, it serves as an introduction to the 12-part story The Daleks' Master Plan. It is notable for the complete absence of the regular cast and the TARDIS; it is the only serial in the show's history not to feature the Doctor at all, although William Hartnell was still credited on-screen. The story focuses on Space Security Agent Marc Cory (Edward de Souza) and his attempts to warn Earth of the Daleks' plan to take over the Solar System.
The Myth Makers
16 October - 6 November 1965
Based on Homer's Iliad, the First Doctor (William Hartnell) and his travelling companions Vicki (Maureen O'Brien) and Steven (Peter Purves) land in Troy during the Trojan War. The Doctor is captured by the Greeks and forced to formulate a plan for taking the city, while Steven and Vicki are captured by the Trojans and forced to devise a means of banishing the Greeks; the latter duo meet Katarina (Adrienne Hill), who becomes a companion by the serial's end.
Opening Credits; Introduction (.37); Introduction of Mission To The Unknown (6.28); Mission to the Unknown Synopsis (7.21); Story Thoughts (9.24); Let's Rate (21.30); The Myth Makers Plot Synopsis (23.49); Lights, Camera, Action (27.15); How Many Stars (34.05); End Credits (36.17); Closing Credits (37.15)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Snoopy’s Christmas vs The Red Baron by The Royal Guardsmen. Taken from the Album Snoopy and His Friends. Copyright 1967 Laurie Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
MAKE/REMAKE
The Lion King is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 32nd Disney animated feature film and the fifth produced during the Disney Renaissance, it is inspired by William Shakespeare's Hamlet with elements from the Biblical stories of Joseph and Moses and Disney's 1942 film Bambi. The film was directed by Roger Allers and Rob Minkoff (in their feature directorial debuts) and produced by Don Hahn, from a screenplay written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. The film features an ensemble voice cast that includes Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Nathan Lane, Ernie Sabella, Rowan Atkinson, and Robert Guillaume. Its original songs were written by composer Elton John and lyricist Tim Rice, with a score by Hans Zimmer.
Set in a kingdom of lions in Africa, The Lion King tells the story of Simba (Swahili for lion), a lion cub who is to succeed his father, Mufasa, as King of the Pride Lands; however, after his paternal uncle Scar kills Mufasa to seize the throne, Simba is tricked into believing he was responsible for his father's death and flees into exile. After growing up in the company of the carefree outcasts Timon and Pumbaa, Simba receives valuable perspective from his childhood friend, Nala, and his shaman, Rafiki, before returning to challenge Scar to end his tyranny and take his place in the Circle of Life as the rightful king.
The Lion King was released on June 15, 1994, receiving critical acclaim for its music, story, themes, and animation. With an initial worldwide gross of $763 million, it finished its theatrical run as the highest-grossing film of 1994 and the second-highest-grossing film of all time, behind Jurassic Park (1993). It also held the title of being the highest-grossing animated film, until it was overtaken by Finding Nemo (2003). The film remains the highest-grossing traditionally animated film of all time, as well as the best-selling film on home video, having sold over 55 million copies worldwide. It received two Academy Awards, as well as the Golden Globe Award for Best Motion Picture – Musical or Comedy.
The film has led to many derived works, such as a Broadway adaptation in 1997; two direct-to-video follow-ups—the sequel, The Lion King II: Simba's Pride (1998), and the prequel/parallel, The Lion King 1½ (2004); two television series, Timon and Pumbaa and The Lion Guard; and a photorealistic remake in 2019, which also became the highest-grossing animated film at the time of its release. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The Lion King is the first Disney film to have been dubbed in Zulu, the only African language aside from Arabic to have been used for a feature-length Disney dub.
The Lion King is a 2019 American musical drama film directed and co-produced by Jon Favreau, written by Jeff Nathanson, and produced by Walt Disney Pictures and Fairview Entertainment. It is a photorealistic computer-animated remake of Disney's traditionally animated 1994 film of the same name. The film stars the voices of Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Florence Kasumba, Eric André, Keegan-Michael Key, JD McCrary, Shahadi Wright Joseph, with Beyoncé Knowles-Carter, and James Earl Jones reprising his role from the original film. The plot follows Simba, a young lion who must embrace his role as the rightful king of his homeland following the murder of his father, Mufasa, at the hands of his uncle, Scar.
Plans for a remake of 1994's The Lion King were confirmed in September 2016 with Favreau attached to directed following box office successes for Disney remakes such as The Jungle Book (2016), which was also directed by Favreau. Disney hired Nathanson to write the screenplay in October 2016. Favreau was inspired by certain roles of characters in the Broadway adaptation and developed upon elements of the original film's story. Much of the main cast signed in early 2017, and principal photography began in mid-2017 on a blue screen stage in Los Angeles. The "virtual-reality tools" utilized in The Jungle Book's cinematography were used to a greater degree during filming of The Lion King. Composers Hans Zimmer, Elton John, and lyricist Tim Rice, all of whom worked on the original's soundtrack, returned to compose the score alongside Knowles-Carter, who assisted John in the reworking of the soundtrack and wrote a new song for the film, titled "Spirit", which she also performed. The film serves as the final credit for editor Mark Livolsi, and it is dedicated to his memory. With an estimated budget of around $260 million, The Lion King is one of the most expensive films ever made.
The Lion King premiered in Hollywood on July 9, 2019, and was theatrically released in the United States on July 19, 2019, in the Dolby Cinema, RealD 3D and IMAX formats. It has grossed over $1.6 billion worldwide during its theatrical run, breaking several box-office records, including overtaking Frozen to become the highest-grossing animated film of all time. It also became the seventh highest-grossing film of all time and the second-highest-grossing film of 2019. The Lion King received mixed reviews from critics, with praise for its visual effects, musical score, and vocal performances (particularly Rogen and Eichner), but criticism for its lack of originality and facial emotion on the characters. The film received nominations for Best Animated Feature Film and Original Song categories at the 77th Golden Globe Awards and 25th Critics' Choice Awards. It was also nominated at 73rd British Academy Film Awards and 92nd Academy Awards, both for visual effects. A prequel film, titled Mufasa: The Lion King, is set for release on July 5, 2024, with Barry Jenkins attached to direct.
Opening Credits; Introduction (.37); Background History (1:02.08); The Lion King (19940 Trailer (1;05.30); The Original (1:06.41); Let's Rate (1:51.58); INTERMISSON: (1:56.58) Introducing a Film (2:07.01); The Lion King (2019) Film Trailer (2:04.06); Lights, Camera, Action (2:05.51); How Many Stars (2:43.21); End Credits (2:58.34); Closing Credits (2:59.34)
Opening Credits– Epidemic Sound – Copyright . All rights reserved.
Intermission Music: He Lives In You (Reprise) – Ensemble – The Lion King, Jason Raize and Tsidii Le Loka. Taken from the album The Lion King, The Original Broadway Cast Album. Copyright 1997 Walt Disney Records. .
Closing Credits: Shadowlands by Shadowland · Heather Headley · Tsidii Le Loka · Ensemble - The Lion King. Taken from The Lion King, The Original Broadway Cast Album. Copyright 1997 Walt Disney Records.
Interval Music: The Lion King Original Broadway Cast. Copyright 1997 Walt Disney Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
January 2024
Death And Politics
BOOK TO FILM: Once Upon A Time
Watership Down is an adventure novel by English author Richard Adams, published by Rex Collings Ltd of London in 1972. Set in Hampshire in southern England, the story features a small group of rabbits. Although they live in their natural wild environment, with burrows, they are anthropomorphised, possessing their own culture, language, proverbs, poetry, and mythology. Evoking epic themes, the novel follows the rabbits as they escape the destruction of their warren and seek a place to establish a new home (the hill of Watership Down), encountering perils and temptations along the way.
Watership Down was Richard Adams' debut novel. It was rejected by several publishers before Collings accepted the manuscript; the published book then won the annual Carnegie Medal (UK), annual Guardian Prize (UK), and other book awards. The novel was adapted into an animated feature film in 1978 and, from 1999 to 2001, an animated children's television series. In 2018, a drama of the story was made, which both aired in the UK and was made available on Netflix.
Adams completed a sequel almost 25 years later, in 1996, Tales from Watership Down, constructed as a collection of 19 short stories about El-ahrairah and the rabbits of the Watership Down warren.
Watership Down is a 1978 British animated adventure-drama film, written, produced and directed by Martin Rosen and based on the 1972 novel by Richard Adams. It was financed by a consortium of British financial institutions and was distributed by Cinema International Corporation in the United Kingdom. Released on 19 October 1978, the film was an immediate success and it became the sixth-most popular film of 1979 at the UK box office.
It features the voices of John Hurt, Richard Briers, Harry Andrews, Simon Cadell, Nigel Hawthorne and Roy Kinnear, among others, and was the last film work of Zero Mostel, as the voice of Kehaar the gull. The musical score was by Angela Morley and Malcolm Williamson. Art Garfunkel's hit song "Bright Eyes" was written by songwriter Mike Batt. It has garnered a cult following.
Opening Credits; Introduction (1.21); Background History (20.15); Watership Down Plot Synopsis (21.57); Book Thoughts (29.16); Let's Rate (50.29); Introducing a Film (52.51); Watership Down Film Trailer (1978) (56.13); Lights, Camera, Action (59.36); How Many Stars (1:40.44); End Credits (1:44.27); Closing Credits (1:45.25)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Bright Eyes from Watership Down by Art Garfunkel. Taken from the album Fate for Breakfast. Copyright 1978 Columbia Records.
Incidental Music: Music from Watership Down by Angela Morley. Available on the Watership Down 1978 Original Motion Picture Soundtrack. Copyright 1978 Vocation Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
BATMAN: The Animated Series
The Worry Men
Wealthy socialite Veronica Vreeland returns from Central America bringing tiny handmade dolls for all her friends. According to native legend, once placed under a pillow the dolls do the sleeper’s worrying for them. Unknown to Veronica or her guests, each of the dolls contains a tiny microchip which plants hypnotic suggestions inside the sleeper’s brains, even Bruce’s.
Sideshow
Enroute to an upstate prison, Killer Croc escapes and leads Batman on a dangerous chase through the wilderness. After throwing Batman temporarily off his trail, the reptile-man takes refuge with a group0 of retired circus freaks and convinces them to help him. When Batman arrives, Croc and the freaks band together to capture him.
A Bullet For Bullock
Someone has put a hit out on Gotham’s toughest cop, Harvey Bullock. After surviving several near misses, Bullock realises he has no choice but to reluctantly ask Batman to help him discover who is behind the murder attempts. During their investigation Bullock learns that his gruff and mean-spirited manner has created enemies in the unlikeliest of people.
Trial
Gotham’s deadliest criminals, The Joker, Two-Faced, Mad Hatter, The Ventriloquist, Harley Quinn, Poison Ivy among many others, kidnap Batman and put him on trial in Arkham Asylum. The Dark Knight’s only hope rests with District Attorney Janet Van Dorn who, despite her anti-Batman stance, is forced to defend the Caped Crusader’s life as well as her own.
Opening Credits; Introduction (.56); Episode One: The Worry Men (49.50); Episode Two: Sideshow (59.22); Episode Three: A Bullet For Bollocks (1:08.26); Episode Four: The Trial (1:15.15); Favourite Episode (1:20.40); End Credits (1:33.20); Closing Credits (1:34.03)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Let It Go by Luba. From the album 9 ½ Weeks Motion Picture Soundtrack. Copyright 1986 Capitol Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
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The Iron Giant is a 1999 American animated science fiction film produced by Warner Bros. Feature Animation and directed by Brad Bird in his directorial debut. It is based on the 1968 novel The Iron Man by Ted Hughes (which was published in the United States as The Iron Giant) and was written by Tim McCanlies from a story treatment by Bird. The film stars the voices of Jennifer Aniston, Harry Connick Jr., Vin Diesel, James Gammon, Cloris Leachman, John Mahoney, Eli Marienthal, Christopher McDonald, and M. Emmet Walsh. Set during the Cold War in 1957, the film centers on a young boy named Hogarth Hughes, who discovers and befriends a giant alien robot. With the help of a beatnik artist named Dean McCoppin, Hogarth attempts to prevent the U.S. military and Kent Mansley, a paranoid federal agent, from finding and destroying the Giant.
The film's development began in 1994 as a musical with the involvement of the Who's Pete Townshend, though the project took root once Bird signed on as director and hired McCanlies to write the screenplay in 1996. The film was animated using traditional animation, with computer-generated imagery used to animate the Iron Giant and other effects. The understaffed crew of the film completed it with half of the time and budget of other animated features. Michael Kamen composed the film's score, which was performed by the Czech Philharmonic.
The Iron Giant premiered at Mann's Chinese Theater in Los Angeles on July 31, 1999, and was released in the United States on August 6. The film significantly underperformed at the box office, grossing $31.3 million worldwide against a production budget of $50 million, which was blamed on Warner Bros.' unusually poor marketing campaign and skepticism towards animated film production following the poor critical reception and box office failure of Quest for Camelot in the preceding year. Despite this, the film was praised for its story, animation, characters, the portrayal of the title character and the voice performances of Aniston, Connick, Diesel, Mahoney, Marienthal, and McDonald. The film was nominated for several awards, winning nine Annie Awards out of 15 nominations. Through home video releases and television syndication, the film gathered a cult following and is widely regarded as a modern animated classic, and one of the greatest animated films ever made. In 2015, an extended, remastered version of the film was re-released theatrically and on home video the following year.
Monster House is a 2006 American computer-animated haunted house film directed by Gil Kenan in his directorial debut and written by Dan Harmon, Rob Schrab and Pamela Pettler, about a neighborhood being terrorized by a sentient haunted house during Halloween. The film features the voices of Mitchel Musso, Sam Lerner, Spencer Locke, Steve Buscemi, Maggie Gyllenhaal, Kevin James, Nick Cannon, Jason Lee, Fred Willard, Jon Heder, Catherine O'Hara, and Kathleen Turner, as well as human characters being animated using live action motion capture animation, which was previously used in The Polar Express (2004). It was Sony's first computer animated film produced by Sony Pictures Imageworks.
Produced by Robert Zemeckis' ImageMovers, Steven Spielberg's Amblin Entertainment (marking their first theatrically released fully animated film since Balto) and Relativity Media (their first animated film), the film was released theatrically by Columbia Pictures on July 21, 2006. It received generally positive reviews from critics and grossed $142 million worldwide against a $75 million budget. Monster House received a nomination for the Academy Award for Best Animated Feature but lost to Happy Feet.
Opening Credits; Introduction (1.23); Background History (28.13); The Iron Giant (1999) Trailer (30.06); Our Thoughts (32.33); Let's Rate (49.09); Introducing Our Second Feature (53.21); Monster House (2006) Film Trailer (55.09); Lights, Camera, Action (57.33); How Many Stars (1:15.07); End Credits (1:17.50); Closing Credits (1:18.22)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Halloween by Siouxsie and the Banshees. Taken from the album Juju. Copyright 1981 Polydor Records.
Incidental Music: Music from The Iron Giant by Michael Kamen. Taken from the album: The Iron Giant – Original Motion Picture Soundtrack. Copyright 1999 Rhino Records.
Music from Monster House by Douglas Pipes. Taken from the album: Monster House – Original Motion Picture Soundtrack. Copyright 2006 Varese Sarabande
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
ANTHOLOGY
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Sin City (also known as Frank Miller's Sin City) is a 2005 American neo-noir crime anthology film produced and directed by Robert Rodriguez and Frank Miller. It is based on Miller's graphic novel of the same name.
Much of the film is based on the first, third, and fourth books in Miller's original comic series. The Hard Goodbye is about an ex-convict who embarks on a rampage in search of his one-time sweetheart's killer. The Big Fat Kill follows a private investigator who gets caught in a street war between a group of prostitutes and a group of mercenaries, the police and the mob. That Yellow Bastard focuses on an aging police officer who protects a young woman from a grotesquely disfigured serial killer. The intro and outro of the film are based on the short story "The Customer is Always Right" which is collected in Booze, Broads & Bullets, the sixth book in the comic series.
The film stars an ensemble cast led by Jessica Alba, Benicio del Toro, Brittany Murphy, Clive Owen, Mickey Rourke, Bruce Willis, and Elijah Wood, and featuring Alexis Bledel, Powers Boothe, Michael Clarke Duncan, Rosario Dawson, Devon Aoki, Carla Gugino, Rutger Hauer, Jaime King, Michael Madsen, Nick Stahl, and Makenzie Vega among others.
Sin City opened to wide critical and commercial success, gathering particular recognition for the film's unique color processing which rendered most of the film in black and white while retaining or adding color for selected objects. The film was screened at the 2005 Cannes Film Festival in competition and won the Technical Grand Prize for the film's "visual shaping". A sequel also directed by Miller and Rodriguez was released in 2014, Sin City: A Dame to Kill For, but failed to match the critical and commercial success of its predecessor.
Southbound is a 2015 American anthology horror film directed by Radio Silence, Roxanne Benjamin, David Bruckner, and Patrick Horvath. Produced by Brad Miska and Roxanne Benjamin, the film premiered at the 2015 Toronto International Film Festival on September 16, 2015, and was released theatrically on February 5, 2016, in a limited release. The film was included on numerous Best Horror Films of 2016 lists including those by Rolling Stone, BuzzFeed and the Thrillist.
Opening Credits; Introduction (1.00); Background History (4.46); Sin City Film Trailer (2005) (7.22); Exploring Our First Feature (9.04); Let's Rate (50.46); Introducing a Film (53.57); Southbound (2015) Film Trailer (54.46); Lights, Camera, Action (57.06); End Credits (1:12.43); Closing Credits (1:14.20)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Road To Nowhere by Talking Heads. From the album Little Creatures. Copyright 1985 Sire Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
Incidental Music: Music from Sin City Original Motion Picture Soundtrack by Robert Rodriguez, John Debney and Graeme Revell. Copyright 2005 Varese Sarabande.
Music from Southbound Original Motion Picture Soundtrack by The Gifted. Copyright 2015 Headquarters Music.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
DOCTOR WHO: The Daleks Master Plan/The Ark
The Daleks Master Plan
13 November 1965 – 29 January 1966
The Massacre
5 - 26 February 1966
The Ark
5 – 26 March 1966
Journey back to the captivating universe of timeless Doctor Who episodes from 1965 to 1967. Enjoy a nostalgic rollercoaster ride of extra-terrestrial adventures starting with the Daleks Master Plan, characterized by thrilling narratives, unforgettable characters, and an intriguing insight into the series. Relive the memorable performance of our venerated Doctor and delve into the fascinating world of the enigmatic "Master".
Discuss the unforgettable episodes, intriguing characters, and compelling facts about the show. Embark on a conversational journey to explore the enigmatic Mavic Chen, the Galactic Federation's fascinating concept, and the relevance of air purity in the series. Could this be a foreshadowing of climate change issues? Find your seat in this engaging conversation that explores the swinging sixties charm and magic of Doctor Who.
Discover the incredible popularity and lasting legacy of Doctor Who, where our speakers delve into viewer ratings and share nostalgic moments. Uncover how the series made its way into schools and captivated millions globally. Learn about the innovative filming techniques of the 60s that brought Doctor Who's universe to life, presenting a detailed narrative of the profound plot lines hidden in the Doctor's adventures.
End your journey by exploring the controversial use of historic footage in the series and the narratives surrounding our favorite characters. Engage with our panelists as they review the episodes and discuss the debuts of series greats like Michael Sheard and Roy Skelton. Stay tuned for final thoughts on standout moments, detailed ratings, and exciting social media updates. Dive into this vivid feast of Doctor Who memories today!
00:00:19 - A Journey to the Past: Exploring Doctor Who Episodes (1965-1967); 00:00:45 - Introducing the Daleks Master Plan and The Massacre; 00:03:23- Comic con plans and ongoing art exhibition; 00:05:44 - Visit to Harry Potter Land and discussing favorite books; 00:07:34 - Daleks’ Master Plan: Unveiling the Epic Journey Begins; 00:07:55 - Synopsis for Doctor Who, the Daleks’ Master Plan; 00:13:14 - Reviewing the Daleks Master Plan, a 12-episode journey; 00:19:06 - The potential of Doctor Who’s vast and universal universe; 00:21:47 - Ratings fluctuation and competition for viewership; 00:24:52 - Discussing the book title and its connection to the story; 00:28:00 - The Missing Story of the Massacre; 00:30:37 - Departing Paris as the Massacre Begins; 00:32:22 - Introduction to The Massacre and Online Animations; 00:34:56 - A Recap of ”The Massacre” Storyline; 00:37:19 - TARDIS Details and Ratings Drop; 00:40:24 - Studio Testing and Audience Reaction; 00:42:14 - The Ark: A Futuristic Adventure Begins; 00:54:02 - Cliffhanger for the Celestial Toy Room; 00:55:17 - Reflections on the Overall Experience; 00:56:08 - Social Media Plugs and Blog Updates;
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Love Kills by Freddie Mercury. Taken from the album Metropolis – Original Motion Picture Soundtrack by Georgio Moroder. Copyright 1984 CBS Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
February 2024
Home is A Lonely Number
BOOK TO SCREEN: Once Upon A Time
The Wonderful Wizard of Oz by L Frank Baum
The Wizard of Oz (1939)
Welcome to a highly engaging episode of the Literary License Podcast's Book to Screen series. In this episode, dive into the timeless world of 'The Wizard of Oz' by L. Frank Baum. Join hosts Keith Chawgo, Leandro Ghezzi and Vicky Rae as they delve into the mesmerizing world of Oz, discussing its origins, Broadway adaptation, and its iconic film version that made Judy Garland unforgettable.
Immerse in the journey of Dorothy Gale, Toto, and the magical Land of Oz. Discover or even re-discover why this classic American fairy tale remains close to our hearts as we go through the fascinating characters, landscapes, and intricate quests of the story. The episode also features a deep exploration of the symbolic elements and hidden messages within the story, shedding light on some intriguing theories and metaphors.
The podcast also eloquently touches upon the complexities of the digital existence in the era of social media. The conversation raises questions about our privacy and highlights the consequential aspects of our digital interactions. Important issues like online bullying and the psychological impact of social media are also addressed, stressing the need to discern the 'false reality' it presents.
Furthermore, revealing a refreshing perspective on pop culture, we share noteworthy insights relating to manipulation in media and the portrayal of 'happy' life in advertising. Then, we decant 'The Wizard of Oz' in contrast to its widely popular cinematic version, also exploring the narrative techniques in children's fantasy novels.
The conversation wraps up with a spirited critique of 'The Wizard of Oz' film, also touching upon its African American adaptation - 'The Wiz'. Offering significant insights into the casting and production, this thrilling episode leaves no stone unturned. So whether you're a fan of the original books or the picked adaptations, this episode promises a fresh and thorough perspective on the world of Oz.
00:00:00 - Introduction to Literary License Podcast’s Book to Screen Episode; 00:06:27 - Preparations for Moving to the US; 00:09:39 - Traffic and Infrastructure in Texas; 00:12:48 - Expressing Excitement about Returning to the US; 00:13:31 - The Origins of The Wizard of Oz; 00:15:10 - Introduction to Dorothy’s journey in the magical land of Oz; 00:18:57 - The Wizard reveals his true identity and grants the companions’ desires; 00:20:48 - Introduction to The Wizard of Oz and initial impressions; 00:24:16 - Wicked and the exploration of characters from the book; 00:27:54 - Discussion of Wicked and anticipation for its film adaptation; 00:31:14 - The illusion of appearances and the characters’ traits; 00:35:01 - L. Frank Baum’s interesting life and inspirations; 00:38:02 - Violence and dark elements in the original Oz book; 00:47:45 - The Challenge of Finding Reliable News Sources; 00:51:19 - The Impact of Social Media on Different Generations; 00:54:27 - The Discrepancy between Online and Real-Life Appearances; 00:58:24 - The Illusion of Reality TV and Raising Children; 01:02:20 - Relationships and the Importance of Hearing Both Sides; 01:06:04 - Historical Perspective on Natural Disasters; 01:09:37 - The Wizard of Oz: A Classic Five-Star Story; 01:12:14 - Ding Dong The Witch Is Dead - Ella Fitzgerald; 01:14:20 - Introduction and Background of The Wizard of Oz; 01:17:24 - The Wicked Witch’s sinister threat; 01:18:52 - Introduction and Initial Thoughts on The Wizard of Oz; 01:22:10 - Judy Garland’s Troubles and Alternative Casting Choices; 01:25:23 - Personal Reactions and Blu-ray Version; 01:29:15 - Noticing New Things in Munchkin Land; 01:36:58 - The Prologue and Original Singer of Over the Rainbow; 01:43:00 - Margaret Hamilton’s Presence and the Poppy Field Myth; 01:46:42 - The directors and financials of the film; 01:53:51 - Discussion on celebrities with gay children; 02:02:23 - Seeing the Red Shoes and Dorothy's Dress at the Smithsonian; 02:04:36 - Rating and Visual Effects of the Wizard of Oz; 02:11:40 - Wrapping up the Literary License Podcast; 02:14:37 - Closing Credits: Over the Rainbow by Ella Fitzgerald
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Intermediate Song: Ding Dong the Witch is Dead by Ella Fitzgerald. Taken from the album Ella Fitzgerald Sings The Harold Arlen Songbook. Copyright 1961 Verve Records.
Closing Credits: Over the Rainbow by Ella Fitzgerald. Taken from the album Ella Fitzgerald Sings The Harold Arlen Songbook. Copyright 1961 Verve Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
BATMAN: The Animated Series
Avatar - House and Garden - The Terrible Trio - Harlequinade
Join us for a riveting episode of the "Literary License Podcast" as we diverge from Batman retrospectives and delve deep into the chaotic world of Pro Wrestling. Journey with our hosts Keith Chawgo, Sean Steffan, and Vicky Rae as we examine significant events, from the controversies surrounding Vince McMahon's resignation to the reactions towards Dwayne 'The Rock'" Johnson's return. Marvel at the dynamics behind the rise of wrestling stars like Cody Rhodes and the political power plays pervading the industry. Picture the thrilling future of wrestling through our intriguing conjectures and hear our comparisons to the world of TV soaps. Engage in thought-provoking discussions on the dichotomy between good and evil, and anticipations for the upcoming Vince McMahon biopic.
Dive into our extensive explorations of video games, unique movie recommendations, and in-depth analysis of the iconic Batman series. Feel our hosts' gaming frustrations and triumphs, understand the hypnotic charm of Yakuza movies, and partake in our anticipation for classic series like Twilight Zone and Friday the 13th. Unravel Batman's complicated relationships and contemplate his future as we navigate the exciting world of streaming. Participate in reflective discussions on power dynamics, personal responsibilities, and mutual attraction as we tackle a range of entertainment topics.
Join us as we analyze fascinating characters like Harley Quinn and the Terrible Trio, uncovering motivations and examining complex dynamics. Further, delve into the intricacies of film making and profitability, shedding light on the importance of fanbases and the enduring appeal of a variety of movies and actors. Discover thrilling genres of horror and action films, understanding the subtlety of messaging, the impacts of company ownership, and financial struggles of major cinema industry players. Round out the conversation with reflections on the presentation and performances in iconic movies like "Barbie" and ponder over the possible future of the "Transformers" franchise in this engaging episode.
Take part in our exploration of the world of movies, toys, celebrities, and nostalgia as we discuss the evolution of the Transformers franchise, the illustrious career of Dwayne 'The Rock' Johnson, and the careers of renowned actors like John Travolta and Robin Williams. Relish in our nostalgic reminiscences of forgotten sequels and real-life dynamics mirrored in movies and conclude with an insight into the multifaceted psyche of comedians like Richard Pryor. Traverse through classic TV series' episodes as we wrap up this dynamic episode that is too intriguing to miss!
00:00:20 - A Podcast Journey into the World of Batman; 00:00:55 - Introduction to Batman Week on the podcast; 00:04:37 - Vince McMahon’s return and the involvement of The Rock; 00:08:33 - Manipulation of the media and fan reactions to The Rock’s return; 00:11:35 - The ongoing saga of Vince McMahon and potential revelations; 00:15:09 - The importance of conflict and dichotomy in wrestling storylines; 00:18:39 - Wrestlers’ Controversial Behavior Exposed; 00:24:54 - From Hollywood discussion to European horror films; 00:28:18 - Frustrations with American bureaucracy and video game reminiscing; 00:32:10 - Blu-ray box sets and streaming service discussions; 00:34:42 - Introduction to Batman: The Animated Series and Avatar; 00:38:59 - Reflection on the Ending and the Possibility of Retirement; 00:43:59 - Poison Ivy’s Return and Mysterious Crimes; 00:53:05 - DVD Format Woes and the Need for Remasters; 00:56:38 - ”Ricochet”: A Secret Sequel to Die Hard and the Desire for Remastering; 01:00:36 - ”The Interview”: Controversy and the Story Behind the Movie; 01:06:43 - Analyzing the complexities of workplace relationships and accountability; 01:11:53 - Establishing rules for relationships with colleagues and friends; 01:15:45 - Navigating shifting dynamics and aligning with different friendships; 01:17:09 - Introducing the Terrible Trio: Gotham’s New Master Criminals; 01:22:15 - The Robin Hood Theory and Bored Trust Fund Kids; 01:26:09 - Harlequinade: An Explosive Joker-Harley Dynamic; 01:30:15 - Understanding Harley Quinn: Misrepresentations in Live-Action Adaptations; 01:34:26 - Unleashing the Full Potential of Harley Quinn in Live-Action; 01:38:51 - The Controversial Shelving of Coyote vs. Acme Movie; 01:44:21 - The Vindictive Prick: A Public Embarrassment; 01:48:27 - Horror and Action Films: Easy Background Entertainment; 01:53:16 - Mixed Feelings about Movie Length; 01:56:42 - Barbie’s portrayal and potential as an intellectual property; 02:00:17 - Hoping for a funnier and less serious approach to the film; 02:03:17 - Plans for a Hasbroverse involving G.I. Joe and Transformers; 02:07:22 - The Creepy Plot Point in a Transformers Movie; 02:16:08 - Robin Williams in ”Good Morning Vietnam”; 02:25:35 - Favorite Episode: Avatar and the Fascinating Ra’s al Ghul; 02:30:07 - House and Garden: Exploring Poison Ivy’s Emotional Range; 02:31:43 - Finalizing the Literary License Podcast and Upcoming Batman Series Episode; 02:38:01 - Housewife by Qveen Herby
Opening Credits– The Adventures of Batman and Robin: The Animated Series – Copyright . 1992 Warner Brothers Animation – Music by Shirley Walker. All rights reserved
Closing Credits: Housewife by Qveen Herby. Taken from the album Housewife. Copyright 2023 Checkbook Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
Return to Oz (1985)
Oz the Great and Powerful (2013)
Welcome to another riveting episode of the Literary License Podcast, where we delve into the fascinating world of dark family films. In this Season 7 retrospective, our panel of film aficionados embark on a thrilling journey to dissect and discuss captivating movie narratives like "Return to Oz" and "Oz the Great and Powerful".
Listen to our in-depth discussions as we delve into topics ranging from film analysis to the scrutiny and dissection of film elements to provide valuable insights. Explore the behind-the-scenes of serious film criticism and learn about the challenges of watching films, 15 seconds at a time.
Immerse yourself in a comprehensive discussion about the iconic director, David Lynch. Discover his distinctive work and join us in exploring the haunting world of Dorothy Gale in "Return to Oz".
Join us as we analyze and speculate about unasked questions about popular characters' actions and intentions, compelling you to return to this beloved childhood tale with fresh eyes. It's a fascinating journey through a timeless classic story that continues to captivate audiences.
Get ready to dive into the captivating and haunting world of children's films with 'Return to Oz'. We discuss how this timeless classic closely resembles the book's illustrations and touch upon societal concerns in the mid-80s and how they impacted the reception of darker children's movies.
Wrapping up this profound exploration of cinematic artistry and storytelling, we invite you to tune in for an episode that truly delves into the complex and ever-evolving cosmos of films that continue to captivate audiences through mesmerizing tales of fantasy and reality.
00:00:40 - Films that scare, entice, and invite children into the underbelly of life as we know it.; 00:01:21 - Hello, welcome to the Literature License Podcast, and we’re discussing dark family films.; 00:12:14 - Come on a journey with the Literary License Podcast as we explore in our Season.; 00:41:17 - Frustrations at Work; 00:42:25 - Boosting Self on Screen; 00:43:03 - Confusion with Emojis; 00:43:11 - Catching Up with Vicky; 00:43:45 - Vicky’s Recent Watchlist; 00:44:28 - Keith’s Recent Viewing Habits; 00:45:54 -Twin Peaks Rewatch; 00:47:07 - Discussing Twin Peaks: The Return; 00:49:04 - The Fascination with Twin Peaks; 00:52:40 - The Art of David Lynch; 00:53:21 - Letting Lynch Films Wash Over You; 00:56:18 - Speculations on David Lynch’s New Project; 01:01:16 - Oscars and Missed Opportunities; 01:05:53 - Appreciation for Tom Cruise’s Movies; 01:10:20 - Discovering Tubi; 01:13:01 - Trailer Review: Return to Oz; 01:14:14 - Return to Oz Analysis; 01:51:14 - Return to Oz Review; 02:03:07 - Oz the Great and Powerful Film Analysis; 02:05:20 - Mysterious Dream in Oz; 02:07:32 - Sam Raimi’s Evil Dead Influence; 02:08:47 - The Great Movie Nod-off; 02:10:48 - Curious Origins; 02:11:20 - Aging in Oz; 02:12:13 - The Witch’s Betrayal; 02:13:14 - Unexpected Twists; 02:15:11 - A Divine Revelation; 02:15:37 - Beauty in Cinematography; 02:16:07 - Franco’s Smarmy Charm; 02:16:37 - The Enigmatic James Franco; 02:17:35 - Roasting Hollywood; 02:17:53 - A Wicked Sequel; 02:18:21 - Evil Con Artists; 02:20:38 - Musical Influence; 02:22:26 - Splitting Movies; 02:23:06 - Sequel Setups; 02:25:07 - Unnecessary Length; 02:27:04 - Never-ending Movies; 02:27:42 - Egotistical Productions; 02:28:23 - The Wizard’s Betrayal; 02:29:25 - Mysterious China Girl; 02:32:05 - Message Movie; 02:32:51 - The Dark Knight Influence; 02:34:34 - The Creation of Wicked; 02:36:50 - Lazy Scripting; 02:37:45 - Sam Raimi’s Style; 02:39:04 - Visual Vibrancy; 02:39:56 - Sam Raimi’s Charm; 02:41:48 - Superhero Movie Woes; 02:44:21 - Rating – Joe; 02:46:24 - Rating – Sean; 02:48:04 - Sam Raimi Disappointments; 02:50:35 - Drag Me to Hell Critique; 02:51:50 - Literary License Recap; 02:56:41 - Toto (Don't It Feel Like Paradise) by Lynda Carter
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Toto (Don’t It Feel Like Paradise) by Lynda Carter. From the album Portrait. Copyright 1978 Epic Records
Incidental Music: Return To Oz Soundtrack. Music by David Shire. Taken from the Return To Oz Original Motion Picture Soundtrack. Copyright 1985 Walt Disney Records
Oz The Great and Powerful Soundtrack. Music by Danny Elfman. Taken from Oz The Great and Powerful Original Motion Picture Soundtrack. Copyright 2013 Walt Disney Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
ANTHOLOGY
Twilight Zone: The Movie (1983)
Night Gallery (1969)
Welcome to another riveting episode of the Literary License Podcast, a retrospective to explore the fascinating world of anthology films. From the classic works of Edgar Allan Poe and H.P. Lovecraft to the cinematic masterpieces of the 1930s, anthologies have been an integral part of storytelling. This episode dives into "Night Gallery" from 1969 and the "Twilight Zone Movie" from 1983.
This discussion-rich episode also features our host's favorite "What The F***" movies, discussing the shock factors, character development, and storytelling aspects of cult classics like "I Spit on Your Grave," "Humanoids from the Deep," and the provocative "Serbian Film". This conversation is a deep dive into the realm of anthologies with reflections on iconic films. Perfect for movie buffs or anyone looking for intriguing conversation about classic films.
Listen as the hosts recount their unforgettable encounter with film director, Frank Henenlotter at a social event a few years ago. They discuss Henenlotter's unconventional filmmaking style and his unique work such as the Basket Case Trilogy. Also covered are insights into the complexities of the filmmaking business and the savvy filmmakers who played the studio system to their advantage.
Contemplate the exploration of supernatural aspects, embodied by the acclaimed film, "Night Gallery." The hosts discuss how paintings embody powerful narratives of terror and the unknown, and add their personal experiences and interpretations, making this discussion a vibrant tapestry of genres.
Engage in a comprehensive look at the history and ongoing influence of classic films and the era of afternoon television, with a deep dive into the 1930s, 40s, and early 50s classic cinema. Join us as we trace the evolution of afternoon television and witness the power of television, strategically repurposing classic movies.
00:00:14 - Exploring Anthologies Through the Ages; 00:04:58 - Introducing Night Gallery and Twilight Zone the Movie; 00:10:03 - Remembering Fred Ward and Discussing Ari Aster’s New Film; 00:34:42 - The Thin Man Movie Adventures; 00:40:10 - Night Gallery: A Supernatural Anthology; 00:49:14 - Humanity’s Blind Eye: Lessons Unlearned; 01:02:29 - Cult Movie Gems: Bubba Ho-Tep & Roddy McDowall; 01:08:42 - The Conqueror Worm vs. Witchfinder General; 01:45:21 - Twilight Zone: The Movie; 01:47:17 - Directors’ Journey to Another Dimension; 01:47:45 - Keith’s Thoughts on the Movie; 01:57:36 - The Tragic Helicopter Crash Incident; 02:06:16 - Tribute to the Victims and Credits; 02:08:56- Joe Dante’s Signature Tropes; 02:12:22 - Heartfelt Charm in Spielberg’s Episode; 02:13:15 - Recognition of Tanya Fenmore’s Performance; 02:15:50 - The Bitterness of Mr. Agee’s Character; 02:18:41 - Discussion on Elderly Community Centers; 02:20:31 - Cherished Memories with Loved Ones; 02:22:37 - Family Memories; 02:30:14 - Movie Directors’ Cliques; 02:40:10 - The Amityville Legacy; 02:46:14 - Twilight Zone Ratings; 02:52:14 - Nostalgic TV Guides; 02:58:23 - Podcast Updates and Future Episodes; 03:07:09 - Twilight Zone by The Manhattan Transfer
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Twilight Zone/Twilight Tone by The Manhattan Transfers. Taken from the album Extensions. Copyright 1979 Atlantic Records
Incidental Music Night Gallery soundtrack – William Goldenberg. Copyright 1969 NBC Universal
Twilight Zone The Movie Original Motion Picture Soundtrack. Music by Jerry Goldsmith. Copyright 1983 Warner Brothers Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
DOCTOR WHO: The Celestial Toymaker/
The Gunfighters
The Celestial Toymaker
2 - 26 April 1966
The alien time traveller the First Doctor (William Hartnell) and his travelling companions Steven (Peter Purves) and Dodo Chaplet (Jackie Lane) are pitted against a powerful adversary called the Celestial Toymaker (Michael Gough). The Toymaker separates the Doctor from his companions to play the Trilogic Game, while Steven and Dodo are forced to win a series of seemingly childish but deadly games before they can be reunited with the Doctor and return to the TARDIS.
The Gunfighters
30 April - 21 May 1966
The time traveller the First Doctor (William Hartnell) and his travelling companions Steven Taylor (Peter Purves) and Dodo Chaplet (Jackie Lane) get themselves involved with the events leading up to the Gunfight at the O.K. Corral.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
March 2024
Mixing The Medium
BOOK TO SCREEN: Once Upon A Time
Who Censored Roger Rabbit?
Who Framed Roger Rabbit (1988)
Welcome to an all-new episode of the Literary License Podcast, where we bridge the gap between literature and its screen adaptations. Join us and our special guest, Leandro Gazi, as we unwrap our life experiences, delve into the intriguing world of 'Who Censored Roger Rabbit?' novel by Gary Wolf and its iconic movie adaptation 'Who Framed Roger Rabbit'.
We ecstatically dig deeper into the book’s thought-provoking narrative and how it subtly interlaces political innuendos. We uncover the creative vision of Leandro and how the distinctive charm of the movie adaptation adds to the Roger Rabbit legacy. Discover the plot twists and suspenseful allegory, leading us through a maze of mysteries and unanticipated denouements in the narrative.
We then traverse the exquisite realm of 'Who Framed Roger Rabbit', directed by the genius Robert Zemeckis. Released in 1988, it was a spectacular blend of live-action and animation, earning global recognition for its visual effects, performances, and humor. We feature a detailed comparison between the original book and the film adaptation, leading to an insightful view of the whole creation process.
Our discussion takes you back to the unforgettable scenes, such as the magnetic performance of Jessica Rabbit and Eddie Valiant's thrilling adventures in Toontown. We reveal the magic behind how this film jump-started the Disney Renaissance, setting a benchmark for animation.
Lastly, ride with us on a captivating journey into the world of animation film-making. We present a critique on the process of integrating classical characters into unrelated plots, the resulting repetitiveness, and how these techniques trick the viewer's eye to create visual masterpieces. Join us as we navigate the interesting narrative loops and special effects that mesmerize audiences through decades.
00:00:00 - Once Upon a Time; 00:07:25 - Who Censored Roger Rabbit; 00:11:09 - Thoughts on the Book; 00:32:48 - Behind the Scenes: Roger Rabbit’s Troubles; 00:34:46 - Toons and Tensions: Comedy and Controversy; 00:39:15 - The Dynamic Duo: Valiant and Rabbit Relationship; 00:43:16 - Adult Animation: A Modern Appreciation; 00:47:20 - Animated Delights: Nostalgia and Special Effects; 00:52:50 - Weasels and Wonders: Memorable Characters; 00:56:50 - Rating the Rabbit: A Visual and Story Analysis
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Why Don’t You Do Right by Benny Goodman and Peggy Lee. Copyright 1942 Columbia Records
Section Breaks: Soundtrack Selections from the Original Motion Soundtrack Who Framed Roger Rabbit. Music by Alan Silverstri. Copyright 1988 Disney Records.
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
BATMAN: The Animated Series
Two Out of Joint
Catwalk
Bane
Baby-Doll
For Batman enthusiasts and pop culture aficionados, join us in our retrospective journey into Batman- the animated series, other popular TV shows, and some cinematic favourites. Get to know our animated panel of experts – Sean Steffen, Joe Randazzo, Vicky Rae, and our host, Keith Chawgo, as they reveal their personal and professional experiences and their taste in movies. Delve into our extensive discussions on films, acting performances, and influential career positioning films. With lively debates, fascinating movie recommendations, and healthy doses of humour and sarcasm, this promising episode promises not just an interesting listen but a joyful ride through your favourite films and TV shows.
As we shift gears, our conversation lightens as we discuss the timeless beauty of black women and then dives into a shared appreciation for the film, "Bullet." From films recently screened in the local theatre to others including "Ring of Fire 2," "Psycho Cop," and the intriguing series "Twin Peaks," we discuss everything that enkindles our interest with enthusiasm and thorough analysis. Join us as we examine everything from thrilling chase scenes to emotional dialogues, painting a vivid cinematic world.
Analysing Popular TV Series: Twin Peaks, Dark Shadows, and Shogun.
Engage with us in a free-flowing discussion on reactions and thoughts on some of the trending TV series. The conversation evolves as we delve into performances, visual aesthetics, storyline intricacies, and the creative decisions driving narratives in series such as Twin Peaks, Dark Shadows, and the recently released series of Shogun. Navigate through this enlightening episode as we analyse characters, critique story strengths and weaknesses across different seasons, and conjecture how real-world events such as the Gulf War influenced certain shows.
Exploring Vintage Cinema Classics & Batman's Animated Series
In this episode, we pay homage to vintage cinema classics and Batman's animated series. Our discussion enlightens the contributions of William Castle, the American film director, and his timeless productions, including "Macabre," "House on Haunted Hill," and "The Tingler." We meticulously discuss the cinematic world of Batman's animated series, shedding light on key characters, intriguing plots involving The Clock King and Catwoman, and brilliant presentation techniques.
Universe of Superheroes: Batman, Catwoman, Nightwing, and Spider-Man
Dive into the thrilling universe of superheroes, exploring their influence on cinema and broader popular culture. Listen to our engaging debate on characters such as Batman, Catwoman, the Gotham-resident Nightwing, and Marvel's Spider-Man, dissecting their different portrayals and analysing their appeals. The episode offers an immersive experience into the captivating world of iconic superheroes and would appeal especially to DC and Marvel universe enthusiasts.
Dissecting DC and Marvel: Comic Books, Films, TV Shows, and Influence
In this captivating episode, get engrossed in our deliberation on DC and Marvel's comic books, films, television shows, and how they influence each other. Join the discussions about two of the largest comic book empires, their adaptations, their distinctive fan bases, and the future of comic-based cinematic experiences.
Filmmaking & the Obsession with Trends: Industry Concerns and Critiques
In this gripping and honest discussion, we delve into grave concerns within the film industry today. Discussing issues like the rise of trend-driven filmmaking, the overdose of sequels, the evolution of Marvel and Star Wars' universes along with critiques of popular TV series such as The Mandalorian and Andor, this episode discusses how an overdose of trends can harm the film and TV industry's creativity and quality.
Exploring Batman's Animated Series: From Iconic Episodes to Recent Releases
In this episode, we embark on a journey through Batman's animated series, reviewing memorable moments, assessing nostalgic classics like Clerks 3, and discussing less favorable moments from recent releases. Join us as we delve into the layers of these iconic episodes, sharing insightful reviews, critiques and unravel the intriguing stories within stories in the Batman universe.
A Critique of 'Baby Doll' from Batman: The Problem of Fading Stardom
In this episode, we discuss the surprisingly poignant episode 'Baby Doll' from Batman's classic series. Join our conversation as we explore the struggles of child stars when their limelight dims prematurely. A deep dive into 'Baby Doll' offers a remarkable blend of absurdity, poignancy, and the dark realities of child stardom.
00:00:20 - Introduction to Batman Retrospective; 00:02:26 - Sean’s Preparations for Vacation; 00:05:23 - Discussion of ”The Dark Backward” Movie; 00:10:51 - Sean’s Plans for Hawaii Trip; 00:14:39 - Conversation on Aging and Society Norms; 00:21:34 - Michael Bay Movies and ”The Rock”; 00:22:31 - Joe’s Movie Watching Experiences; 00:26:51 - Review of ”Ring of Fire 2” and ”Psycho Cop”; 00:30:24 - Vicky’s Health and ”Twin Peaks” Watching Experience; 00:38:28 - William Castle’s Influence; 00:42:27 - Legal Battles and TV Shows; 00:59:09 - Catwoman’s Return; 01:07:45 - The Batman Code; 01:18:03 - Streaming Mysteries; 01:29:16 - Alfred’s Origins; 01:37:29 - Lazy Storytelling; 01:42:23 - Troubles in The Mandalorian; 01:50:04 - The Battle with Bane; 01:53:10 - Plans for a Podcast; 02:04:43 - Analysing Babydoll; 02:16:50 - Favourite Episodes Review;
Opening Credits– Adventures of Batman and Robin The - Animated Series by Shirley Walker. Copyright 2008 Warner Records. All rights reserved
Closing Credits: Baby Doll by Ari Abdul. Taken from the album Fallen Angel. Copyright 2022 Ari Abdul
Section Breaks: Music from the Batman: The Animated Series. Music by Shirley Walker. Copyright 2008 Warner Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
Bedknobs and Broomsticks
Enchanted i
Join the captivating journey with the Literary License Podcast as we explore vintage and modern films, and delve into meaty discussions about social media's impacting modern society. This season 7 retrospective takes us through family film classics, "Bedknobs and Broomsticks" and "Enchanted," with our humorous hosts, Vicki Rae, Keith Chawgo and John Wilson.
From gleaning insights on popular games to discussing independent films and popular TV series, this episode traverses a variety of topics. Central to the discussion is the critique of social media obsessions and the undeniable charms of classics like "Bedknobs and Broomsticks" and "Enchanted." Take part in this dialogue that balances the exciting and the thought-provoking.
Our discourse on "Bedknobs and Broomsticks" unravels its unique blend of magic, war, and self-discovery, set apart from other Disney productions. We follow the enchanting journey of novice witch Miss Eglantine Price and the lovable con man, Professor Emilius Brown, highlighting significant moments of this live-action and animation production that won the Academy Awards for Best Special Visual Effects.
Journey further into Disney's magical realms as we explore "Enchanted" and its sequel "Disenchanted." Enjoy anecdotes and insights into this brilliant mix of real-world practicality and fairy-tale sweetness. The brilliant star-studded performance, toe-dipping bits into the world of fairy-tales, and shared laughter make this episode an enjoyable ride for every movie lover.
The analysis doesn't stop there. Dive into the magic of "Princess Diaries" and "Enchanted," discussing their musical scores, animation style, and lasting impact. Unwrap these influential tales of princesses and the fantasized version of New York while acknowledging Disney's self-awareness balancing charm and humour.
Tune in as we light-heartedly ponder film critiques, explore the paradox of commercial breaks, and appreciate cinema's enchanting magic. An episode designed for those who appreciate being carried away into whimsical tales and hearty discussions about the digital age's challenges and opportunities.
00:00:40- Films that scare, entice, and invite children into the underbelly of life as we know it.; 00:01:21- Hello, welcome to the Literary License Podcast. This is Dark Families Week.; 00:35:07 - The Modern Dilemma; 00:41:10- Enter Bedknobs and Broomsticks; 00:46:48- The Timeless Gem; 00:53:17- Glimpse into History; 00:56:42 - Behind the Scenes; 01:01:52- The Studio System’s Decline; 01:06:54- Angela Lansbury’s Versatility; 01:10:23 - The Evolution of Cinema; 01:12:37 - Navigating Through Decades; 01:15:16- Disney’s Renaissance Era; 01:19:26 - Rating Bedknobs and Broomsticks; 01:23:48 - Introduction to Enchanted; 01:26:32 - Collision of Worlds; 01:27:54- Adventures in Enchanted; 01:32:01- Exploring Character Development; 01:45:11- Musical Musings; 01:48:14 - Enchanted Star Ratings & Reviews;
Opening Credits– Once Upon Theme by Dan Hughes Music Poduction. Copyright 2024 LLPodcast
Closing Credits: Age of Not Believing by Angela Lansbury. Taken from the album Bedknobs and Broomsticks Original Motion Picture Soundtrack. Copyright 1971 Walt Disney Records
Section Breaks: Music from Enchanted Original Motion Picture Soundtrack. Music by Alan Menken. Copyright 2007 Walt Disney Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
ANTHOLOGY
Dr Terror's House of Horrors
Torture Garden
In this enthralling episode of the Literary License Podcast, join host Joe Randazzo and guests as they navigate the fascinating journey from classic literary anthologies to their modern interpretations in film and TV. Get in-depth insights into two iconic anthology films 'Dr. Terror's House of Horrors' and 'Torture Garden', exploring their distinctive narrative techniques and enduring influence.
Apart from these films, our hosts share personal anecdotes and experiences around popular culture, home-cooked food, and Italian cuisine. They also delve into the enriching cinematic world, discussing movies old and new, memorable movie outings, and the indelible impact of stars like Dean Martin and Frank Sinatra.
The conversation extends to terrifying tales of horror, as the hosts dissect stories set in different locations, like a crypt, a train, and a carnival. Uncover the chilling narratives of 'The Voodoo', 'The Disembodied Hand', and 'The Creeping Vine'.
Finally, immerse yourself in an insightful analysis of the legacy left by Amicus and Hammer Films, particularly how their works have permanently shaped the horror genre. Conclude your journey with a careful dissection of 'Torture Garden', weighing the performances, the script, and the menacing aura the film exudes.
Tune into this literary pilgrimage that weaves between the world of horror storytelling, film history, and film criticism. It offers you a multi-faceted glimpse into film artistry and legacy, guaranteed to entertain and educate in equal measures.
00:42:18 - A Train Ride to Terror; 00:44:03 - The Dreaded Dr. Terror’s House of Horror; 01:22:44 - The Torture Garden: Enter the Realm of Fear and Despair; 01:24:31 - Hollywood Horrors: Behind the Glitz and Glamour; 01:26:20 - The Many Faces of Jack Palance: A Cinematic Journey; 01:29:16 - Unravelling the Mysteries: From Hollywood to Snow Globes; 01:33:00 - The Intriguing Enigma of Mr. Steinway; 01:35:09 - The Mysterious Android: A Tale of Artificial Intrigue; 01:37:05 - Analyzing the Stories: From Scares to Surprises; 01:43:06 - Life’s Lessons and Playboys: Anecdotes and Insights; 01:53:02 - The Dark and Twisted: A Closer Look at the Menacing Cat; 01:59:33 - Rating the Classics: Dr. Terror’s House of Horrors and The Torture Garden; 02:04:32 - Exciting Upcoming Episodes: Doctor Who, Pete’s Dragon, and More; 02:05:32 – END CREDITS - Talk To Me by Dalbello Taken from the album She.
DOCTOR WHO: The Savages/The War Machines
The Savages
28 May - 18 June 1966
The Doctor (William Hartnell) and his travelling companions Steven (Peter Purves) and Dodo (Jackie Lane) arrive on an unnamed planet where they encounter two distinct people - the Elders and the Savages. They soon discover the Elders are the evil ones, draining the primitive Savages for their life source to remain young and powerful forever. This serial marks the final appearance of Purves as Steven.
The War Machines
25 June - 16 July 1966
Set in 1960s London, shortly after construction of the Post Office Tower was completed. In the serial, the time traveller the First Doctor (William Hartnell) and sailor Ben Jackson (Michael Craze) work together to stop the self-thinking computer WOTAN (voiced by Gerald Taylor) from invading London with the deadly War Machines controlled by WOTAN.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
MAKE/REMAKE
Pete's Dragon 1977
Pete's Dragon 2016
In this episode of Literary License Podcast, join us as we delve into the captivating world of both the 1977 and 2016 renditions of the Pete’s Dragon films. Co-hosted by Vicki Rae and Joe Randazzo, we deliver wittily nuanced discussions about various acclaimed movie productions as well as the dynamics of fashion trends.
Our conversation open up with highlighting the unique attributes of the Pete’s Dragon films, analyzing their differences, and similarities. The discourse then progresses into issues such as AMC Theater's platinum membership offer, the acclaimed A24 films, the King Kong Godzilla movies, and an insider's look at the pre-code movies covered in 'The Spoiler Room'. Packed with fascinating insights and thoughtful analyses, we guarantee a session filled with enlightening and entertaining discussions on the cinematic world from the perspective of both a casual moviegoer and a die-hard cinephile.
In the second part of the episode, we navigate personal narratives exploring the current life situations and the longing for pre-pandemic normalcy. We further delve into a spectrum of films, from 'The Beekeeper' starring Jason Statham to the intriguing series, 'Fallout'. We conclude this segment with an engaging discourse about cinema censorship and the evolution of cinematic storytelling.
Continuing further, we reflect on popular culture and its reflection on society, serial killers, anti-heroes, and morality of beloved characters. Our discussion covers iconic sitcoms like "I Love Lucy" to "Good Times" while also analyzing disturbing narratives of Hollywood's darker side.
Heading into the final segment, we discuss the pressures of Hollywood with a special focus on childhood stars like Macaulay Culkin, Amanda Bynes, and Judy Garland. We unravel the unseen burden of fame within the industry, scrutinizing the challenging practices around film festivals and award ceremonies. Our episode ends with an in-depth review and defense of the movie, ‘Pete's Dragon’.
Join us in this roller-coaster analysis down memory lane, filled with reflections, discussions, and riveting conversations on movies, celebrities, fashion, and societal norms. Get ready for a cinematic exploration like none other!
00:02:29 - Original Pete's Dragon Discussion; 00:06:56 - AMC Platinum Membership and Godzilla Movie; 00:11:25 - Similarity in Movies and Twin Movies Phenomenon; 00:17:40 - Mark’s Pre-Code Movies and Spoiler Room Podcast; 00:21:54 - Vicki’s Job Search and The Beekeeper Movie Review; 00:24:24 - Conor McGregor in Roadhouse and Film Aesthetics Discussion; 00:31:36 - Impact of Cinema on Society and Generational Perspectives; 00:37:54 - Anti-Heroes in Modern Entertainment and Film Industry; 01:42:03 - Hollywood’s Dark Past; 01:46:46 - Remembering James Dean; 01:48:23 - Old Stars’ Comebacks; 02:29:37 - Feeling the Magic; 02:33:22 - Heartfelt Farewell; 02:36:07 - Aging Actors and Roles; 02:37:25 - Candle On The Water by Helen Reddy. Taken from Pete's Dragon the Original Motion Picture Soundtrack
April 2024
Monsters Come and Go
BOOK TO SCREEN: Once Upon A Time
Where the Wild Things Are by Maurice Sendak
Where the Wild Things Are 2009
Join Leandro Ghezzi and Keith Chawgo in The Literary License Podcast as they delve into the captivating world of Maurice Sendak's timeless classic, 'Where the Wild Things Are'. The hosts offer an enlightening exploration of the seemingly simple 1963 children's book, uncovering its deeper meanings and themes, an invaluable reflection of children's emotions and their journey of taming these feelings.
Focusing on the journey of Max, the main protagonist of the story, they examine his dynamics with the various characters he encounters during his fantastical adventure. Drawing parallels with the struggles faced by young adolescents such as feelings of neglect, loneliness, and frustration, the podcast episode provides intriguing insights into the personal growth of Max and the complexities of his evolving relationships.
Aside from the original children's book, the podcast also ventures into the richness of the 2009 film adaptation. Despite its unconventional narrative and slow-paced arthouse approach, the hosts appreciate how the film offers a rich tapestry of emotions and ideas, enhancing the book's emotional heft and visual appeal. Concluding the conversation, they rate both the book and the film, acknowledging their profound impact and timeless appeal.
Embark on this thought-provoking journey into the realms of childhood, fantasy, and emotion as Ghezzi and Chawgo invite you to re-enter the world of 'Where the Wild Things Are'. Come, discover the multi-layered meanings and enduring power of this beloved story in a unique listening experience that promises to incite new thoughts and perspectives.
00:00:00 – Once Upon A Time; 00:07:37 - Where the Wild Things Are Introduction; 00:13:48 - Analysis of Where the Wild Things Are; 00:29:27 - Where the Wild Things Are - The Movie; 00:33:26 - Analyzing Character Growth and Relationships; 00:38:07 - Reflecting on Max’s Behaviors and Personalities; 00:40:46 - Understanding Reactions and Frustrations; 00:43:20 - The Appearance and Nature of the Wild Things; 00:45:52 - Delving into Loneliness and Growing Up; 00:52:14 - Rating and Conclusion of Where the Wild Things Are; 00:53:56 - Wild Things - By The Troggs
BATMAN: The Animated Series
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The Lion and the Unicorn
Showdown
Riddler’s Reform
Second Chance
Introducing the Literary License Podcast, an insightful foray into the film industry with a special lens on Batman: The Animated Series. Join our host Keith Chawgo and his esteemed guests Sean Steffen, Joe Randazzo, and Vicky Rae as they dissect iconic episodes from Batman's animated adventures. The episode begins with Sean's holiday recount and his cinematic journey with the AMC A-List, exploring an array of movies from Ghostbusters to Kong Godzilla.
Shifting gears towards horror film franchises, our hosts unpick Rob Zombie's Halloween, examining the impact of origin stories on characters' aura. The conversation eventually turns to the films "Late Night With The Devil" and "Ministry of Ungentlemanly Warfare," and how they present a perfect blend of thematic elements and action-packed sequences. The episode concludes with a lively chatter on Batman's loyal butler, Alfred Pennyworth, and his intriguing, secret-service past.
The hosts also engage in spirited discussions about the complexities of Wayne Industries and the potentially dangerous links it might share with global entities. The narrative delves into Batman's identity crisis during its transition from a children's series to a more adult-centric one, and how it resulted in a slight dip in the animation quality. However, the subjects diversify as the conversation moves towards Scooby-Doo, the philosophy of any publicity being good publicity, and the controversial movie, Human Centipede.
Enriched with movie reviews, trivia, plot analysis, and behind-the-scenes anecdotes, this episode promises to delight Batman aficionados and casual listeners alike. Join this enriching round-table discussion - a tribute to the iconic Batman series and its complex, multi-dimensional universe.
00:00:20 - Introduction to Batman Retrospective; 00:14:02 - Movie Reviews and Recommendations; 00:33:11 - Discussion on Abigail Movie Twist; 00:35:02 - The Guardian: Wild and Insane Premise; 00:38:54 - Lloyd Kaufman’s Next Movie Auditions; 00:51:25 - Thunderstorms and Classic Movies; 00:53:12 - Arsenic and Old Lace and Boris Karloff; 00:55:43 - Tigress Confusion and Batman Beyond; 01:04:32 - Scrappy-Doo and 70s/80s Cartoons; 01:12:10 - Ra’s al Ghul and Jonah Hex Showdown; 01:18:56 - Spinoffs and Production Woes; 01:24:25 - A Senator in Gotham; 01:27:24 - A Doctor’s Encounter; 01:47:57 - Misogynist with a Conscience; 01:52:31 - Vicki’s Favorite: Jonah Hex; 01:53:23 - Showdown: A Change of Pace; 01:55:03 - Same Song by James Johnston ft Kaylee Bell
TWO FOR 1: Dark Families
The Dark Crystal 1982
Labyrinth 1986
Join us on the Literary License Podcast as we delve deeper into the intriguing world of dark family films. In this episode, we discuss the engrossing narratives of two cinematic masterpieces, "Dark Crystal" and "Labyrinth". These films, defined by their potent fusion of the gruesome with the stunning, encourage children to explore narratives that are often deeply symbolic and spiritual.
Listen in as we shed light on the intricate puppetry and artistry in "Dark Crystal", a dark fantasy film directed by Jim Henson and Frank Oz. Despite initially receiving mixed reviews, the richly textured plot, distinctive aesthetic, and well-rounded characters have cultivated a passionate following over time. Journey with us as we uncover this captivating blend of artistry and story-telling.
As the conversation progresses, we get lost in the fantastical world of "Labyrinth", another ingenious collaboration between Henson and renowned fantasy illustrator Brian Froud. From Froud’s unique faerie and dwarf designs to Henson’s visionary puppetry, we discuss how these creative forces created inviting worlds for children to delve into the symbolic and profound aspects of the narratives.
Dive into rich, thought-provoking discussions on these two films with us. From Vicky Ray's first reactions to "The Dark Crystal" to insights from Joe Randazzo on the depths of puppetry as an art form, our team promises to bring fresh perspectives and interesting trivia. Hit play, sit back, and let us take you on an unexpected journey into the weird and wonderful world of dark fantasy films.
00:00:40 - Films that scare, entice, and invite children into the underbelly of life as we know it; 00:04:39 - Journey into the Dark Crystal Realm with Vicky and Joe; 00:27:21 - Enter the Labyrinth: A Tale of Music and Magic; 00:30:55 - Exploring Labyrinth; 00:37:48 - The World of Goblins - 00:42:31 - Comedic Goblin King; 00:43:50 - Puzzles and RPG Vibes; 00:46:59 - 80s Horror Nostalgia; 00:49:36 - TV Series Dilemmas; 00:51:56 - Yellow Jackets Excitement; 00:53:15 - Brad Pitt’s Improvisation; 00:55:21 - Tom Cruise and Height Banter; 00:56:16 - Rating Labyrinth; 00:59:06 - Magic Dance - David Bowie - Taken from the Motion Picture Soundtrack Labyrinth
ANTHOLOGY
The House That Dripped Blood 1971
Asylum (also known as House of Crazies in subsequent US releases) 1972
Description:
Welcome to the exciting world of "Unraveling the Shadows". In this captivating podcast episode, we embark on a thorough exploration of anthology films from the past. Join our delightful hosts, Vicki Rae, Joe Randazzo and Keith Chawgo, as they dig into classic horror narratives like "The House That Dripped Blood" (1971) and "Asylum" (1972). Swim through the deep seas of our hosts' knowledge as they assess film elements, character complexities, and peculiar plot developments.
Continuing the journey, they offer a rich discourse on hypothetical character transformations, analyze the enigma of pre-existing evil, and articulate their perspectives on fascinating stories within the mansion. Together we question, does villainy come from nature or nurture? What would happen if we showed compassion toward villains? Our hosts will navigate these intriguing discussions and much more!
We also go a step further, remarking on the mesmerizing performances, remarkable filmmaking techniques, and the evolution of the horror genre. We, as a team, go beyond the surface level and delve into the complex details of storytelling that make British anthology horror unique and delightfully gripping.
Shifting gears towards retail practices, we compare brick-and-mortar stores with the Amazon era, and appreciate the progression brought by new establishments. On the film front, we indulge in nostalgia as we discuss Peter Cushing's amazing film career, Charlotte Rampling's acting prowess, and the creepily creative elements of "Mannequins of Horror".
Last but not least, we offer an intriguing analysis of the unforgettable horror film 'Asylum'. Tune in as we unravel every eyebrow-raising ending, spine-chilling theme, and arresting performance. Despite its questionable logic, 'Asylum' leaves an indelible mark on the canvas of horror cinema, thanks largely to its ingenious storytelling!
Don't miss out on this fascinating journey filled with villains, terrifying tales, deep insights, and a touch of dark humor. Join us today at "Unraveling the Shadows" and delve into the mysterious realm of anthology horror!
00:00:14 - Introduction to Anthologies; 00:00:35 - Celebrating Anthology Films; 00:00:57 - Discussion of ”The House That Dripped Blood”; 00:02:54 - Terror in Every Room; 00:23:12 - The Enigmatic Ingrid Pitt; 00:28:31 - A Glimpse into 60s and 70s Horror Aesthetics; 00:33:39 - Peak and Decline of Amicus Films; 00:38:10 - Rating ”The House That Dripped Blood”; 00:42:35 - Intriguing Beginnings; 00:44:00 - Mysterious Trailer Interlude; 00:45:16 - Mannequins of Horror; 01:12:30 - Nostalgic Reflections; 01:18:18 - Ratings and Musings; 01:24:14 - Future Plans and Farewells; 01:24:56 - Crazy by Alanis Morisette
DOCTOR WHO: The Smugglers/The Tenth Planet
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The Smugglers
10 September - 1 October 1966
In this serial, the Doctor (William Hartnell) and his new travelling companions Ben (Michael Craze) and Polly (Anneke Wills) arrive on the coast of seventeenth-century Cornwall – much to the astonishment of Polly and Ben. Pirates led by Captain Samuel Pike (Michael Godfrey) and his henchman Cherub (George A. Cooper) are searching for a hidden treasure, while a smuggling ring masterminded by the local squire Edwards (Paul Whitsun-Jones) is trying to off-load contraband. Although audio recordings, still photographs, and clips of the story exist, no episodes of this serial are known to have survived.
The Tenth Planet
8 - 29 October 1966
The serial is also notable as the first story to feature the Cybermen, a race of malevolent cyborgs that became a recurring adversary in later Doctor Who stories. The "tenth planet" in the title makes reference to a fictional lost planet in Earth's Solar System; at the time of production, the Solar System was generally held to consist of nine planets, prior to the redesignation of Pluto as a minor planet.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
May 2024
Dark Fantasy
BOOK TO SCREEN: Once Upon A Time
The Witches by Roald Dahl
The Witches 1990
Welcome to a captivating episode of the Literary License Podcast's Book to Screen series, where we delve into the enchanting world of Roald Dahl's children's classic, "The Witches". Join us as we embark on a thrilling journey through the book's spine-chilling realm where child-hating witches and humans coexist. This episode offers a comprehensive exploration of the book's plot, critical reception, and notable adaptations, unveiling the unique blend of humour, fright, and moral lessons that mark Dahl's storytelling.
Joined by passionate reader Leandro Ghezzi, we discuss Dahl's distinctive portrayal of witches and draw parallels between the characters and real-world figures. We also tackle the controversy around the modifications in Dahl's books by Puffin Books aimed at appealing to modern audiences and delve into the changes made in "The Witches". The conversation extends to a comparison with the original Grimm fairy tales, and the impact of their dark and ambiguous endings.
Engage in our riveting discussion around Dahl's creativity, the debate over censoring his books, and the enduring charm of his dark tales that have influenced generations. We explore the enduring appeal of classics from authors like Dr. Seuss and Roald Dahl, debate the perspective of viewing old works through a modern lens, and express concern over attempts to modify books in the name of political correctness.
We also provide an in-depth review of the 1990 film adaptation of "The Witches" starring Anjelica Huston and discuss on how Dahl's narratives have been translated on screen. The debate explores the age-old question – do children’s literature and film adaptations really need happy endings? Ride along on this literary exploration as we delve deeper into the magical world created by the prodigious author, Roald Dahl.
00:00:00 - Once Upon a Time; 00:06:27 - Plot Synopsis; 00:12:09 - Thoughts on The Witches; 00:31:52 - Unique Writing Style; 00:32:45 - Reflecting on Childhood Reads; 00:43:40 - Dark and Timeless Tales; 00:44:21 - The Witches (1990 Film); 00:45:29 - Fantasy Adventure Begins; 00:46:31 - Childhood Memories; 00:50:36 - Dahl’s Emotional Reaction; 00:53:12 - Ambiguous Endings Discussion; 01:01:18 - Personal Connections; 01:02:29 - Rating The Witches; 01:04:54 - Angelica Houston’s Character Origin; 01:06:11 - Upcoming Episodes Preview; 01:07:15 - W.I.T.C.H by Devon Cole
BATMAN: The Animated Series
Harley’s Holiday
Lock-Up
Make’em Laugh
Deep Freeze
Dive into a riveting episode of the Literary License podcast, as the hosts nostalgically traverse the wonderful worlds of Batman: The Animated Series, Stephen King's literary universe, and fascinating pre-Code Hollywood cinema. Welcome a plethora of topics, ranging from Batman anecdotes, the storytelling prowess of Blumhouse films, voice-over artists' eccentric challenges, harsh realities of service-oriented occupations, to the intriguing journey of mail-bag job for 'The Last Drive-In'.
That's not all; our hosts also delve deep into crucial historical events, like the JFK assassination, and navigate the energetic gaming landscape with a focus on the iconic Metal Gear Solid saga. The discussion then sways into the realm of successful TV shows and films influenced by video games, the evolution of popular TV series like 'Westworld', transitioning storylines in 'The Walking Dead', and even reviews of Batman's animated episodes.
The dialogue deepens as themes of justice, misunderstood villains, law-breaking, and societal adaptiveness come to the fore. This episode serves not only as a nostalgic journey but also an exploration of broader societal themes, encapsulating everything from Gotham City's most bizarre criminals to personal anecdotes about transitioning watching experiences.
Enjoy an in-depth analysis of actors such as Arnold Schwarzenegger, Steven Seagal, and Jean-Claude Van Damme, and indulge in thought-provoking conversations surrounding film controversies, personal politics, and ethical dilemmas in the world of entertainment. Essentially, this Literary License Podcast episode is perfect for anyone who loves Batman, 90's cartoons, movies, and engaging pop culture conversations.
00:00:20 - Introduction to Batman Retrospective; 00:01:07 - Catching up with the podcast crew; 00:03:54 - Sean’s TV show recommendation; 00:05:38 - Discussion on the struggles at work; 00:07:01 - Vicky’s movie channel discovery; 00:08:30 - Corporate takeover impact on the restaurant; 00:09:13 - Excitement over upcoming horror movie; 00:10:48 - Reflecting on Blumhouse films; 00:12:14 - Joel’s critique of filmmaker Joel Flossen; 00:13:58 - Discussion on franchise ownership; 00:14:46 - Impact of corporate takeover on community ties; 00:17:15 - Stephen King’s prolific writing; 00:17:53 - Stephen King’s shift towards murder mysteries; 00:19:00 - Connection between horror and murder mysteries; 00:21:00 - Voicing animated characters; 00:21:34 - Joe’s work challenges and adjustments; 00:29:31 - Planning a movie outing; 00:31:05 - Seeking additional income opportunities; 00:32:31 - Surprising discoveries in classic films; 00:34:15 - Millie Bobby Brown’s film role; 00:36:01 - Impactful movie about Parkland Hospital; 00:38:31 - Evolution of media coverage on politicians; 00:40:23 - Revelation about John F. Kennedy’s brain; 02:08:14 - Conclusion: Next Week’s Dark Family Films; 02:09:08 - Make'em Laugh by Donald O'Connor. Taken from the Motion Picture Soundtrack Singing In The Rain.
TWO FOR 1: Dark Families
The Black Cauldron 1985
The Spiderwick Chronicles 2008
Welcome to the Literary License Podcast! This month is Dark Families Month, where we delve into family films with a dark twist. Join us as we explore two intriguing films: The Black Cauldron and The Spiderwick Chronicles.
First, we dive into the 1985 animated classic, The Black Cauldron. Set in a mythical land during the early Middle Ages, this film follows a young swineherder and his companions as they battle the wicked Horned King. We'll discuss the film's beautiful animation, its mixed critical reception, and its impact on Disney's animation department.
Next, we journey through the magical world of The Spiderwick Chronicles (2008). This film, based on the popular book series, features three children who discover a field guide to fairies and encounter various magical creatures. We'll explore the film's visuals, the performances of its cast, and how it stacks up against its source material.
Join hosts Joe and Vicki as they discuss the enchanting darkness of these family films and share their thoughts on what makes them stand out—or fall short. Don't miss this captivating episode filled with fantasy, magic, and insightful commentary!
00:00:40 - Films that scare, entice, and invite children into the underbelly of life as we know it.; 00:02:09 - Catching Up and Work Updates; 00:14:55 - Conversations on Movies and TV Shows; 00:20:18 - Late Night with the Devil and TV Shows Discussion; 00:25:22 - Horror Movie Reboots and Classic Films; 00:32:14 - Pluto TV Channels and Universal Monsters Discussion; 00:32:43 - The Serpent and the Rainbow and Wes Craven’s Versatility; 00:35:03 - Remembering Roger Corman and Mark Damon; 00:40:19 - The Black Cauldron; 00:42:49 - Legend of the Haunt King; 00:44:12 - Leisure Legends Podcast; 00:48:04 - Evolution of Animation Trends; 01:14:39 - The Black Cauldron and John Hurt; 01:16:09 - Animation Similarities and Dark Cartoons; 01:16:44 - Nods to Other Productions and Storytelling Differences; 01:19:42 - Almost Ruining Disney and Lloyd Alexander’s Series; 01:26:43 - Phone Booth Anxiety and Larry Cohen’s Intensity; 01:29:41 - Aging Actors and Tim Burton’s Beginnings; 01:34:15 - Animated Witches and Ugly Villains; 01:37:44 - Disney’s Renaissance and Steven Spielberg’s Influence; 01:43:46 - Connecting to Children’s Tales and Life Lessons; 01:48:55 - Critique on John Wick and Action Movies; 01:56:19 - Review and Discussion on Black Cauldron; 02:04:07 - Introduction to The Spiderwick Chronicles; 02:07:41 - Analysis of The Spiderwick Chronicles and Character Dynamics; 02:39:03 - CGI Overload and Storytelling Issues; 02:58:21 - Book Adaptation Disappointment; 03:03:44 - Tangential Discussions and Film Ratings; 03:10:14 - Closing Credits: Magic by Pilot
ANTHOLOGY
The Vault of Horror (otherwise known as Vault of Horror, Further Tales from the Crypt and Tales from the Crypt II) 1973
From Beyond the Grave 1974
Welcome to the Literary License Podcast! In this episode, we delve into the fascinating world of anthology films with a special focus on the final two Amicus anthology films: The Vault of Horror (1973) and From Beyond the Grave (1974).
Join hosts Joe Randazzo, Keith Chago, and Vicki Ray as they explore the enduring appeal of anthology films, tracing their roots from literary classics by Poe, Hawthorne, Stevenson, and Lovecraft, to their cinematic adaptations over the decades.
The episode kicks off with a lively discussion on what everyone has been up to, including recent movie viewings and personal anecdotes. Then, the hosts dive deep into The Vault of Horror, analyzing its five chilling tales and the stellar performances by actors like Terry Thomas, Glynnis Johns, and Tom Baker. Each story is dissected for its narrative strengths, memorable twists, and the unique charm that makes this film a beloved classic.
Next, the discussion shifts to From Beyond the Grave, the final Amicus anthology film. The hosts examine how this film's stories, centered around a mysterious antique shop, continue the tradition of moralistic tales with a supernatural twist. With standout performances by horror legends Peter Cushing, Donald Pleasance, and David Warner, this film is celebrated for its engaging stories and eerie atmosphere.
Throughout the episode, the hosts reflect on the legacy of Amicus Productions and the impact of anthology films on the horror genre. They also draw connections to contemporary works influenced by these classics, providing listeners with a comprehensive understanding of the genre's evolution.
Don't miss this engaging and insightful episode as we celebrate the rich history of anthology films and the enduring legacy of Amicus Productions. Tune in now!
00:00:14 - The Antiquity of Anthologies; 00:04:43 - Cinematic Musings and TV Trends; 00:13:50 - The Curious Case of Madame Web; 00:32:29 - Unveiling The Vault of Horror; 00:40:07 - Blu-ray Discoveries; 00:47:53 - Elevator Enigma; 00:50:16 - The Mirror Mirror Mystery; 00:58:54 - Nostalgic VHS Finds; 01:05:47 - An Amicus Franchise Finale; 01:19:09 - A Touch of Kindness; 01:43:01 - Review and Reflections; 01:49:19 - The Legacy of Peter Cushing; 01:55:00 - From Bodice Rippers to Boobage; 01:56:25 - The Changing Face of Horror; 01:59:02 - Upcoming Episodes and Anthologies; 01:59:09 - Horror Story by Arlen Jones
DOCTOR WHO: The Power of The Daleks/
The Highlanders
The Power of the Daleks
05 November - 10 December 1966
The new Doctor (Troughton) and his travelling companions Polly (Anneke Wills) and Ben (Michael Craze) land on the planet Vulcan. There they find an Earth colony, where the lead scientist Lesterson (Robert James) discovers a 200-year-old alien capsule containing three inactive Daleks. Once brought back to life, the Daleks act as the colony's servants, but all they really want is power. Although audio recordings, still photographs, and clips of the story exist, no episodes of this serial are known to have survived.
The Highlanders
17 December 1966 - 7 January 1967
The Doctor (Patrick Troughton) and his travelling companions Ben (Michael Craze) and Polly (Anneke Wills) arrive in the Scottish Highlands in 1746, just after the Battle of Culloden. They gain the trust of the Jacobites, but their friendliness gets them into serious trouble with the Redcoats led by Lieutenant Algernon Ffinch (Michael Elwyn). This serial is the first appearance of Frazer Hines as companion-to-be Jamie McCrimmon.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
MAKE/REMAKE
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The Incredible Journey 1963
Homeward Bound: The Incredible Journey 1993
Join the hosts of the Literary License Podcast as they explore the original and remake of a heartwarming animal adventure. In this episode, Joe Randazzo, John Wilson, Vicki Rae, and Keith Chawgo delve into The Incredible Journey (1963) and its remake, Homeward Bound: The Incredible Journey (1993).
The hosts discuss the differences between the two films, focusing on the more documentary-style approach of the original versus the comedic, voice-acted remake. Special attention is given to the voice talents of Michael J. Fox, Sally Fields, and Don Amici, and how their performances impact the overall feel of the remake.
Expect insights into the filming techniques, the use of animals, and the cultural impact of both films. Whether you’re a fan of classic Disney adventures or enjoy nostalgic 90s family films, this episode promises an engaging journey through the world of these beloved animal tales.
00:00:15 - Exploring Remakes; 00:00:36 - Introductions and Film Updates; 00:01:12 - The Fall Guy and Movie Marketing; 00:22:27 - Conversations on Streaming and Movie Business; 00:30:44 - Recalling Movie Experiences and Discoveries; 00:34:04 - Rediscovering Pre-Code Films; 00:35:32 - McGregor’s Impact; 00:38:11 - Enjoying Summertime Plans; 00:47:11 - The Incredible Journey; 01:09:21 - Heartwarming Downhome Feel; 01:13:19 - Homeward Bound: The Incredible Journey; 01:29:29 - Animal Lovers’ Insights; 01:51:49 - Evolution of Comedy Actors; 01:56:05 - Vietnam War Flicks and Serious Acting; 02:05:03 - Home Again - Oingo Boingo. All Rights Reserved
June 2024
Life After Death
BOOK TO SCREEN: Once Upon A Time
Something Wicked This Way Comes by Ray Bradbury
Something Wicked This Way Comes 1983
Welcome to the Literary License Podcast's "Book to Screen" episode for June! This month, we delve into Ray Bradbury's dark fantasy classic, Something Wicked This Way Comes, and its 1983 Disney film adaptation. Our hosts, Keith Chawgo, Leandro Ghezzi and Vickie Rae are here to explore the eerie allure of Bradbury's tale and the cinematic magic (and challenges) of bringing it to the screen.
Join us as we discuss the novel's poetic prose, its themes of fear, aging, and the battle between good and evil, and how these elements were translated into film. We'll also touch on the movie's production woes, including uncredited script rewrites, extensive reshoots, and the impact of Disney's editing decisions.
In addition to our main discussion, you'll hear our hosts share personal updates, movie recommendations, and reflections on other related works. If you're a fan of Bradbury's work, dark fantasy, or simply love a good book-to-film adaptation story, this episode is not to be missed!
Tune in for an engaging conversation filled with insights, laughter, and a touch of nostalgia as we uncover the mysteries and magic of Something Wicked This Way Comes.
00:00:00 - The Tale Begins; 00:01:21 - Introducing ”Something Wicked This Way Comes”; 00:11:10 - Exploring New Horizons in Denmark; 00:15:55 - Unveiling the Dark Fantasy: Something Wicked This Way Comes; 00:17:44 - Delving into the Plot: Something Wicked This Way Comes; 00:23:51 - In-depth Discussion: Something Wicked This Way Comes; 00:38:09 - The Power of Happiness; 00:39:48 - The Dark Side of Depression; 00:42:32 - The Quest for Eternal Youth; 00:43:16 - Changing Perspectives on Aging; 00:50:02 - Behind the Scenes Drama; 00:52:46 - Sinister Forces at Play; 00:53:36 - Unveiling Dark Desires; 00:58:58 - The Cost of Artistic Interference; 01:03:02 - CGI Magic and Missed Opportunities; 01:08:15 - The Influence of Disney’s Dark Era; 01:10:25 - The Vision of Jack Clayton; 01:12:15 - Disney’s Struggle with Dark Themes; 01:15:38; Rating Something Wicked This Way Comes; 01:17:24 - End Credits: Something Wicked This Way Comes by Raydia
BATMAN: The Animated Series
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Batgirl Returns
Barbara Gordon has given up her double life as Batgirl. That is, until a rare cat statue is stolen from her university museum. All clues point to Catwoman as the thief, but when Batgirl investigates, she makes an unlikely alliance with Catwoman to find the criminal mastermind behind it all. All this while Robin must deal with the situation all alone as Batman is out of town.
Sins of the Father
This starts The New Batman Adventures. It is notable for officially introducing Tim Drake to the series, providing his origin story as the new Robin. It also marks the first appearances of Two-Face and Alfred in the new series.
Cold Comfort
This episode is notable for introducing Mister Freeze to the new series and continuing the story that ended in the movie Batman and Mr Freeze: Subzero. However, this episode features a stark contrast with Mister Freeze’s portrayal from Batman: The Animated Series, as the new version has turned evil for the sake of it.
Double Talk
It is notable for introducing the characters of the Ventriloquist and Scarface to the new series, although it provides as a definitive end for the criminal mastermind and therefore, he doesn’t make another official appearance in the series.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
ParaNorman is a 2012 American stop-motion animated comedy horror film directed by Sam Fell and Chris Butler (the latter's feature directorial debut) and written by Butler. Produced by Laika, the film stars the voices of Kodi Smit-McPhee, Jodelle Ferland, Bernard Hill, Tucker Albrizzi, Anna Kendrick, Casey Affleck, Christopher Mintz-Plasse, Leslie Mann, Jeff Garlin, Elaine Stritch, Tempestt Bledsoe, Alex Borstein, and John Goodman. It is the first stop-motion film to use a 3D colour printer to create character faces, and only the second to be shot in 3D. In the film, Norman Babcock, a young boy who can communicate with ghosts, is given the task of ending a 300-year-old witch's curse on his Massachusetts town.
The idea of ParaNorman came from Butler, who thought making such a movie for kids could help express the challenges kids face growing up, after realizing that zombie films often contained a degree of social commentary. Production of the stop-motion animation feature took place at Laika's studio in Hillsboro, Oregon for three years, with the animating stage of production lasting about two years and beginning in late 2009. Instead of using traditional 3D format cameras, the studio had sixty Canon EOS 5D Mark II DSLR cameras film the movie. Jon Brion composed the film's musical score.
ParaNorman was officially released on August 17, 2012, by Focus Features. It received generally positive reviews from critics, who praised its animation, script, entertainment value and humour, and was a modest box office success, earning $107 million worldwide against its budget of $60 million. The film was nominated for that year's Academy Award for Best Animated Feature and BAFTA Award for Best Animated Film, but lost both to Pixar's Brave.
Frankenweenie is a 2012 American 3D stop-motion animated science fiction horror comedy film directed by Tim Burton, written by John August, and starring Catherine O'Hara, Martin Short, Martin Landau, Charlie Tahan, Atticus Shaffer, and Winona Ryder. Produced by Walt Disney Pictures, it is a feature-length remake of Burton's 1984 short film of the same name, and is also both a parody of and homage to the 1931 film Frankenstein, based on Mary Shelley's 1818 book Frankenstein: or, The Modern Prometheus. In the film, a boy named Victor Frankenstein uses the power of electricity to resurrect his dead Bull Terrier, Sparky, but his peers discover what he has done and reanimate their own deceased pets and other creatures, resulting in mayhem.
Frankenweenie came development in December 2007, when Burton was asked to direct two 3D films for Disney, including a live-action adaptation of Alice in Wonderland. However, the development of a full-length stop motion dates as far back as November 2005, when scripts had been written by Josann McGibbon and Sara Parriott. Filming for a stop-motion feature film began at 3 Mills Studios in July 2010. The tongue-in-cheek film contains numerous references to and parodies of elements of Frankenstein and past film versions of it, other literary classics, various horror and science-fiction films, and other films which Burton has directed or produced.
Frankenweenie, which was both the first black-and-white feature-length film and the first stop-motion film to be released in IMAX 3D, premiered at Fantastic Fest on September 20, 2012 and was released in the United States on October 5, to generally positive reviews for its visuals and story and moderate box office returns. Grossing $81.5 million worldwide against a $39 million budget, it won the Saturn Award for Best Animated Film, and was nominated for an Academy Award, a Golden Globe, a BAFTA, and an Annie Award for Best Animated Film, losing the first three to Brave, and the last one to Wreck-It Ralph.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
Anthology
The Monster Club is a 1981 British anthology horror film directed by Roy Ward Baker and starring Vincent Price and John Carradine. An anthology film, it is based on the works of the British horror author R. Chetwynd-Hayes. It was the final film from Milton Subotsky, who was best known for his work with Amicus Productions; Amicus were well known for their anthologies, but this was not an Amicus film. It was also the final feature film directed by Baker.
The Company of Wolves is a 1984 British gothic fantasy horror film directed by Neil Jordan and starring Angela Lansbury, David Warner, Micha Bergese and Sarah Patterson in her film debut. The screenplay was written by Jordan and Angela Carter and adapted by Carter from her short story of the same name (featured in her 1979 short story collection The Bloody Chamber) and its 1980 radio adaptation. Carter's first draft of the screenplay, which contains some differences from the finished film, has been published in her anthology The Curious Room (1996).
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
DOCTOR WHO: The Underwater Menace/
The Moonbase
The Underwater Menace
14 January - 4 February 1967
The Doctor (Patrick Troughton), Ben (Michael Craze), Polly (Anneke Wills) and their new friend Jamie McCrimmon (Frazer Hines) arrive in the underwater city of Atlantis, where an eccentric scientist called Zaroff (Joseph Furst) plots to destroy the Earth by draining its ocean supply. This story constitutes Jamie's first journey with the Doctor as a travelling companion.
The Moonbase
11 February - 4 March 1967
The Second Doctor (Patrick Troughton) and his travelling companions Ben (Michael Craze), Polly (Anneke Wills) and Jamie McCrimmon (Frazer Hines) arrive on the Human colonised Moon in 2070, where the Cybermen plot to take over the base and use it to invade the Earth. This story features the return, and first redesign, of the Cybermen.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
July 2024
Around The World
BOOK TO SCREEN: Once Upon A Time
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Howl's Moving Castle is a fantasy novel by British author Diana Wynne Jones, first published in 1986 by Greenwillow Books of New York. It was a runner-up for the annual Boston Globe–Horn Book Award, and won the Phoenix Award twenty years later. It was adapted into a critically acclaimed 2004 animated film of the same name, which was nominated for the Academy Award for Best Animated Feature.
Howl's Moving Castle is the first novel in the series of books called the Howl Series. This series also includes Castle in the Air, published in 1990, and House of Many Ways, published in 2008. WorldCat reports that Howl's Moving Castle is the author's work most widely held in participating libraries, followed by its first sequel Castle in the Air.
For the idea Jones "very much" thanked "a boy in a school I was visiting", whose name she had noted but lost and forgot. He had "asked me to write a book titled The Moving Castle.
Howl's Moving Castle (Japanese: ハウルの動く城, Hepburn: Hauru no Ugoku Shiro) is a 2004 Japanese animated fantasy film written and directed by Hayao Miyazaki. It is loosely based on the 1986 novel of the same name by British author Diana Wynne Jones. The film was produced by Toshio Suzuki, animated by Studio Ghibli and distributed by Toho. The Japanese voice cast featured Chieko Baisho and Takuya Kimura, while the English dub version starred Jean Simmons, Emily Mortimer, Lauren Bacall, Christian Bale, Josh Hutcherson and Billy Crystal. The film is set in a fictional kingdom where both magic and early twentieth-century technology are prevalent, against the backdrop of a war with another kingdom. It tells the story of Sophie, a young milliner who is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.
Influenced by Miyazaki's opposition to the United States' invasion of Iraq in 2003, the film contains strong anti-war themes. Miyazaki stated that he "had a great deal of rage" about the Iraq war, which led him to make a film which he felt would be poorly received in the United States. It also explores the theme of old age, depicting age positively as something which grants the protagonist freedom. The film contains feminist elements as well, and carries messages about the value of compassion. In 2013, Miyazaki said Howl's Moving Castle was his favourite creation, explaining, "I wanted to convey the message that life is worth living, and I don't think that's changed. The film is significantly thematically different from the novel; while the novel focuses on challenging class and gender norms, the film focuses on love, personal loyalty and the destructive effects of war.
Howl's Moving Castle premiered at the 61st Venice International Film Festival on 5 September 2004, and was theatrically released in Japan on 20 November 2004. It went on to gross $190 million in Japan and $236 million worldwide, making it one of the most commercially successful Japanese films in history. The film received critical acclaim, with particular praise toward its visuals and Miyazaki's presentation of the themes. It was nominated for the Academy Award for Best Animated Feature at the 78th Academy Awards, but lost to Wallace & Gromit: The Curse of the Were-Rabbit, in 2006, and won several other awards, including four Tokyo Anime Awards and a Nebula Award for Best Script.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
BATMAN: The Animated Series
You Scratch My Back
It is notable for introducing Nightwing to the new series, as well as Catwoman featuring her new design, drastically different from Batman: The Animated Series. Although Dick Grayson already appeared in Sins of the Father, this episode is the official appearance of Nightwing in the show.
Never Fever
It is notable for introducing Scarecrow to the new series, featuring new character design created in order to give the character a more sinister look than in his previous incarnation.
Joker’s Millions
It is notable for introducing the Penquin to the new series, featuring a radically different look from his original character design. This episode is also an adaption of a classic story from the Batman Comics.
Growing Pains
It is notable for officially introducing Clayface to the new series, although he had already appeared int eh episode Holiday Knights. It is also one of the episodes featuring Robin as the protagonist.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
Spirited Away (Japanese: 千と千尋の神隠し, Hepburn: Sen to Chihiro no Kamikakushi, lit. 'Sen and Chihiro's Spiriting Away') is a 2001 Japanese animated fantasy film written and directed by Hayao Miyazaki, animated by Studio Ghibli for Tokuma Shoten, Nippon Television Network, Dentsu, Buena Vista Home Entertainment, Tohokushinsha Film, and Mitsubishi and distributed by Toho. The film features the voices of Rumi Hiiragi, Miyu Irino, Mari Natsuki, Takeshi Naito, Yasuko Sawaguchi, Tsunehiko Kamijō, Takehiko Ono, and Bunta Sugawara. Spirited Away tells the story of Chihiro Ogino (Hiiragi), a ten-year-old girl who, while moving to a new neighborhood, enters the world of Kami (spirits of Japanese Shinto folklore.) After her parents are turned into pigs by the witch Yubaba (Natsuki), Chihiro takes a job working in Yubaba's bathhouse to find a way to free herself and her parents and return to the human world.
Miyazaki wrote the screenplay after he decided the film would be based on the ten-year-old daughter of his friend Seiji Okuda, the film's associate producer, who came to visit his house each summer. At the time, Miyazaki was developing two personal projects, but they were rejected. With a budget of US$19 million, production of Spirited Away began in 2000. Pixar animator John Lasseter, a fan and friend of Miyazaki, convinced Walt Disney Pictures to buy the film's North American distribution rights, and served as executive producer of its English-dubbed version Lasseter then hired Kirk Wise as director and Donald W. Ernst as producer, while screenwriters Cindy and Donald Hewitt wrote the English-language dialogue to match the characters' original Japanese-language lip movements.
Originally released in Japan on 20 July 2001 by distributor Toho, the film received universal acclaim, grossing $395.8 million at the worldwide box office. Accordingly, it became the most successful and highest-grossing film in Japanese history with a total of ¥31.68 billion ($305 million). It held the record for 19 years until it was surpassed by Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train in 2020.
Spirited Away is regarded as Miyazaki's magnum opus and has often been listed among the greatest films of all time. It won the Academy Award for Best Animated Feature at the 75th Academy Awards, making it the first, and to date only, hand-drawn and non-English-language animated film to win the award. It was the co-recipient of the Golden Bear at the 2002 Berlin International Film Festival (shared with Bloody Sunday), and is within the top ten on the British Film Institute's list of "Top 50 films for children up to the age of 14".In 2016, it was voted the fourth-best film of the 21st century by the BBC, as picked by 177 film critics from around the world, making it the highest-ranking animated film on the list. In 2017, it was also named the second "Best Film...of the 21st Century So Far" by The New York Times. In 2022, it was ranked as the 75th greatest film of all time by the Sight & Sound critic’s poll.
Kiki's Delivery Service (Japanese: 魔女の宅急便, Hepburn: Majo no Takkyūbin, lit. 'Witch's Express Home Delivery') is a 1989 Japanese animated fantasy film written, produced, and directed by Hayao Miyazaki, adapted from the 1985 novel Kiki's Delivery Service by Eiko Kadono. It was animated by Studio Ghibli for Tokuma Shoten, Yamato Transport (which licensed the trademark Takkyūbin (宅急便) for the film) and the Nippon Television Network. It stars the voices of Minami Takayama, Rei Sakuma and Kappei Yamaguchi. The story follows Kiki (Takayama), a young witch who moves to a new town and uses her flying ability to earn a living. According to Miyazaki, the movie portrays the gulf between independence and reliance in teenage Japanese girls.
Kiki's Delivery Service was released in Japan on July 29, 1989, by Toei Company, and won the Animage Anime Grand Prix prize. It was the first film released under a 15-year distribution partnership between The Walt Disney Company and Studio Ghibli. Walt Disney Pictures produced an English dub in 1997, which premiered in United States theatres at the Seattle International Film Festival on May 23, 1998. It was released on home video in the U.S. and Canada on September 1, 1998.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
ANTHOLOGY
Dead of Night is a 1945 black and white British anthology horror film, made by Ealing Studios. The individual segments were directed by Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer. It stars Mervyn Johns, Googie Withers, Sally Ann Howes and Michael Redgrave. The film is best remembered for the concluding story featuring Redgrave and an insane ventriloquist's malevolent dummy.
Dead of Night is a rare British horror film of the 1940s; horror films were banned from production in Britain during World War II. It had an influence on subsequent British films in the genre. Both of John Baines' stories were reused for later films and the ventriloquist dummy episode was adapted into the pilot episode of the long-running CBS radio series Escape.
While primarily in the horror genre, the film has shades of the comedy that would make the studio's name.
The Devil's Messenger is a 1961 anthology horror film combining 3 episodes of the 1959 B&W Swedish television series 13 Demon Street (which was never broadcast in the USA) with some new scenes featuring Lon Chaney Jr., Karen Kadler and John Crawford. This "feature version" of the series is the closest the U.S. came to seeing the TV series in the U.S. (although the entire series is now available on DVD in the territory).
The film includes stories about a 50,000-year-old woman found frozen in an ice field, a man's death foretold in dreams, and Satan's plans to blow up the Earth with atomic weapons.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
DOCTOR WHO: The Macra Terror/
The Faceless Ones
The Macra Terror
5 - 26 February 1967
The Second Doctor (Patrick Troughton), Ben (Michael Craze), Polly (Anneke Wills) and Jamie (Frazer Hines) attempt to unravel a mystery within a human colony on an unnamed planet in the future, which leads to them becoming prisoners as opposed to guests. It also introduces the alien race known as the Macra. Although audio recordings, still photographs, and clips of the story exist, no episodes of this serial are known to have survived.
The Faceless Ones
8 April - 13 May 1967
The Second Doctor (Patrick Troughton) and his travelling companions Jamie (Frazer Hines), Ben (Michael Craze) and Polly (Anneke Wills) arrive at Gatwick Airport where identity-stealing aliens known as the Chameleons have taken refuge after their planet was destroyed, preying on university students by abducting them using the false holiday flight organisation 'Chameleon Tours'. It sees the departure of Craze and Wills as Ben and Polly. Only two of the six episodes are held in the BBC archives; four remain missing.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
August 2024
Haley's Comet
BOOK TO SCREEN: Once Upon A Time
Pollyanna is a 1913 novel by American author. Eleanor H. Porter, considered a classic of children's literature. The book's success led to Porter soon writing a sequel, Pollyanna Grows Up (1915). Eleven more Pollyanna sequels, known as "Glad Books", were later published, most of them written by Elizabeth Borton or Harriet Lummis Smith. Further sequels followed, including Pollyanna Plays the Game by Colleen L. Reece, published in 1997. Due to the book's fame, "Pollyanna" has become a byword for someone who, like the title character, has an unfailingly optimistic outlook; a subconscious bias towards the positive is often described as the Pollyanna principle. Despite the current common use of the term to mean "excessively cheerful", Pollyanna and her father played the glad game as a method of coping with the real difficulties and sorrows that, along with luck and joy, shape every life.
Pollyanna has been adapted for film several times. Some of the best known are the 1920 version starring Mary Pickford, and Disney's 1960 version starring child actress Hayley Mills, who won a special Oscar for the role.
Pollyanna is a 1960 American comedy-drama film starring child actress Hayley Mills, Jane Wyman, Karl Malden, and Richard Egan in a story about a cheerful orphan changing the outlook of a small town. The film was written and directed by David Swift, based on the 1913 novel Pollyanna by Eleanor H. Porter. The film won Hayley Mills an Academy Juvenile Award. It was the last film of actor Adolphe Menjou.
Pollyanna was Hayley Mills' first of six films for Disney, and the directorial debut of David Swift.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
BATMAN: The Animated Series
Love Is A Croc
It is notable for introducing Killer Croc and Baby Doll to the new series and featuring drastically different character designs. New voice actors for both characters were also casts.
Torch Song
It is notable for introducing Firefly, a classic enemy of Batman from the comics, to the series. Firefly is the first original enemy introduced in the new show, in production order.
The Ultimate Thrill
It is notable for introducing Roxy Rocket to the series. Roxy was first introduced in the comics based on Batman: The Animated Series and she gained enough popularity to be featured on the series.
Over the Edge
It is notable for being one of the few episodes of the series to include all members of the ‘Bat-Family’ together in one episode. It is also notable for featuring multiple enemies in a single episode and it also marks the first and only appearance of Bane in the new series, completed with a new character design.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
TWO FOR 1: Dark Families
Whistle Down the Wind is a 1961 British children's crime drama film directed by Bryan Forbes, adapted by Keith Waterhouse and Willis Hall from the 1958 novel of the same name by Mary Hayley Bell. The film stars her daughter Hayley Mills, who was nominated for the BAFTA Award for Best British Actress for this film.
Unusually, almost all the main characters are children; the film attempts to show the world through the eyes of an innocent child.
In 2005, the British Film Institute included it in its list of the 50 films that children should see by the age of 14.
The Chalk Garden is a 1964 British-American film directed by Ronald Neame. It stars Deborah Kerr and Hayley Mills and is an adaptation of the 1955 play of the same name by Enid Bagnold
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
ANTHOLOGY
Tales from the Hood is a 1995 American horror anthology film directed by Rusty Cundieff and executive-produced by Spike Lee. The film presents four short urban-themed horror stories based on problem concepts that affect the African-American community in the order of police corruption, domestic abuse, racism, and gang violence, all presented within a frame story of three drug dealers buying some "found" drugs from an eccentric and story-prone funeral director.
Holidays is a 2016 American horror anthology film of subversive short horror films, each inspired by a different celebration. The directors include Kevin Smith, Gary Shore, Adam Egypt Mortimer, Scott Stewart, Nicholas McCarthy, Dennis Widmyer and Kevin Kolsch, Sarah Adina Smith, and Anthony Scott Burns.
The film had its world premiere at the Tribeca Film Festival on April 14, 2016. It was then released on video on demand on April 15, 2016, prior to a limited release on April 22, 2016, by Vertical Entertainment.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
DOCTOR WHO: The Evils of the Daleks/
The Tomb of the Cybermen
The Evil of the Daleks
20 May - 1 July 1967
The Doctor (Patrick Troughton) and his travelling companion Jamie (Frazer Hines), shortly after losing the TARDIS, are transported to 1866, where the Daleks force the Doctor to help them in their latest plot to implement the human factor into Dalek brains in order to 'humanise' themselves into even deadlier living weapons. This serial marked the debut of Deborah Watling as the Doctor's new companion, Victoria Waterfield. It is also notable for introducing the Dalek Emperor. Only episode two, the episode in which Victoria first appears, is held in the BBC archives; the other six remain missing.
The Tomb of the Cybermen
2 - 23 September 1967
The time traveller the Second Doctor (Patrick Troughton) and his travelling companions Jamie McCrimmon (Frazer Hines) and Victoria Waterfield (Deborah Watling) get caught up in an expedition to the planet Telos. The financiers of the expedition, Eric Klieg (George Pastell) and Kaftan (Shirley Cooklin), intend to revitalise the Cybermen that are buried on Telos in underground tombs, hoping they will share their power.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.
MAKE/REMAKE
The Parent Trap is a 1961 American romantic comedy film written and directed by David Swift. It stars Hayley Mills (in a dual role) as a pair of teenage twins plotting to reunite their divorced parents by switching places with each other. Maureen O'Hara, and Brian Keith play the parents. Although the plot is very close to that of the 1945 film Twice Blessed, The Parent Trap is based on the 1949 book Lisa and Lottie (German: Das doppelte Lottchen) by Erich Kästner.
Produced by Walt Disney Productions, The Parent Trap was released on June 21, 1961, by Buena Vista Distribution. It grossed $25.1 million at the box office and was nominated for two Academy Awards. It was broadcast on television, and three television sequels followed the later adventures of the twins. The film was remade in 1998 with Lindsay Lohan. It was released on VHS, in digital stereo LaserDisc format (1986), and on DVD (2002). The Parent Trap was the second of six films Mills made for Disney.
The Parent Trap is a 1998 American romantic comedy film directed and co-written by Nancy Meyers, and produced and co-written by Charles Shyer. It is a remake of the 1961 film of the same name and an adaptation of Erich Kästner's 1949 German novel Lisa and Lottie (Das doppelte Lottchen).
Dennis Quaid and Natasha Richardson star as a divorced couple who separated shortly after their identical twin daughters' birth; Lindsay Lohan stars (in her film debut) as both twins, Hallie Parker and Annie James, who are fortuitously reunited at summer camp after being separated at birth. David Swift wrote the screenplay for the original 1961 film based on Lottie and Lisa. Swift is credited along with Meyers and Shyer as co-writers of the 1998 version.
The film was theatrically released in the United States on July 29, 1998, and was a box-office hit, grossing $92.1 million against a $15 million budget. It received positive reviews from critics, with Lohan's performance, in particular, earning high praise.
Opening Credits; Introduction (2.31); Background History (28.49); Whatever Happened To Cousin Charlotte Plot Synopsis (29.44); Book Thoughts(34.10); Let's Rate (49.13); Introducing a Film (57.07); Hush Hush Sweet Charlotte Film Trailer (58.31); Lights, Camera, Action (1:01.22); How Many Stars (1:57.17); End Credits (2:08.03); Closing Credits (2:09.49)
Opening Credits– Epidemic Sound – Copyright . All rights reserved
Closing Credits: Deadly Valentine by LVCRFT, Scary Ana Grande, Deja Vudu & Count Tracukla. From the album Deadly Valentine. Copyright 2022 Spooky Never Sleeps
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.
All rights reserved. Used by Kind Permission.
All songs available through Amazon Music.